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 African Adornment - Personal Adornment

 

 

Anklets - Armlets - Earplugs

 

 

Contact us for information on these objects, larger resolution pictures and/or prices.

 

 

 

 

 

Anklets from Southern Angola

 

Miniature PVC Artworks

 

 

Click Thumbnails for Larger Images

 

Click the thumbs above to view details of bracelets designs. 

 

Decorated PVC bracelets are worn throughout a vast region which includes the Donguena, Evale, Hakawama, Himba, Humbe, Kwanyama, Mukubal, Mwila, Ndimba, Ngambwe, Ovambo and Zemba of Southern Angola - and east into various Botswana and Zambian tribes.

 

 

      

 

Ndimba girls selling anklets and fertility dolls.         ex  Neil Munro - 2006

 

Unlike most, the Hakawana, Mwila, Ndimba, Ngambwe and Zemba all share a common use of  wider examples worn as anklets. These are worn singularly or in pairs. Finely detailed designs are cut into the PVC while in flat sheet form. Each design and pattern is surprisingly unique to any other. Once completed, ochre, soot or even paint is added for color, then heat  applied to shape it round.

 

Below you will find three views of each single anklet or pair we are able to offer.  Open the thumbs to view finer detail.

 

Item A

Items B

Item C

Items D

Item E

Items F

Item G

 

Brass examples generally pre-date PVC.

 

 

 

Jose Redinha - Angola

 

Brass examples were recorded by Redinha in 1930's publications. Their sharp edges often cut into the leg and they could became very hot in the sun, resulting in blisters. As a result, fabric or paper was often placed between the object and the wearer's leg. 

 

Brass became less popular with the advent of PVC material. PVC was lightweight, far softer and did not absorb infrared light or heat. Additional colors were easily added to white PVC, which yellowed like ivory with age. The softness of PVC allowed the artist to achieve far more complicated engraved designs. Today, brass examples are seldom seen.

 

 

 

Kaffrairian Museum - King Williams Town - South Africa

 

Angolans share a widespread artistic talent for detail. In earlier times, their medium of choice was a calabash. Whether an item was meant to be a milk or beer container, a cup or bowl, or even a thumb piano, if made from a calabash - it was likely decorated. Carved drawings were made onto the surface, chronicling past life like no-where else in Africa.

 

 

 

Dr. Alfred Schachtzabel - Im Hochland Von Angola  - and others.

 

Dr. Alfred Schachtzabel  - Calabash Scenes

 

Southern Angolan anklets are a continuation of an age old traditional art form. Dr. Alfred Schachtzabel traveled to Angola for the first time during 1913 and 1914. There he researched and collected artifacts for the Museum of Ethnology in Berlin. Instantly his sensitive appreciation for detailed Angolan calabash art was born. Drawings of masterworks he came across and or collected, were reproduced in both his and other publications.

 

Click the image above and zoom in to better view his recorded Angolan art form.

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The images below were taken by Neil Munro in 2006 of anklets worn by the Hakawana and Zemba peoples.

 

     

 

     

 

      

 

Blue and Ivory colored PVC are popular with the mentioned tribes in the region.

 

 

 

The Himba make and decorate larger belts from PVC in the same way as anklets.

 

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vintage antique artefact artifacts artifact artefacts ken karner zulu adornment south african artifact southern africa southern african

 

 

 

Tuareg Woman's Counterweight

 

"assrou n´swoul"

 

 

 

This elaborate key like pendant was worn by wealthier Tuareg women to keep their headscarves or robes from being blown away by the Sahara's winds. The assrou n´swoul is handmade using brass, copper, iron, silver (or silver and nickel alloy) and sometimes wood. The method of laminating used is known as the sandwich technique.

 

 

 

Tuareg - 1907 Postcard

 

Tuareg women dress in black or indigo robes and go about their business unveiled, unlike their husbands who must keep their faces covered at all times, even while eating.

 

    

 

Tuareg woman wore the elaborate counterweights on their robes and veils as pendants to hold them in place.  The young woman on the left has one under her right arm, as do the two women walking away to the right.

 

 

Tuareg Counterweights

 

These counterweights or assrou n´swoul, generally translates as; the key which is thrown over the shoulder. It is a highly prized and valued article of adornment amongst the Tuareg and collectors alike. Tuareg blacksmiths known as inadan in Tamazight, are well known for their fine metalwork in the Sahara.

 

Click Thumbnails for Larger Images

 

 

Compared with similar pieces, this assrou n´swoul is of the highest quality, well balanced, neatly executed and masterly engraved with fine Tuareg designs. The patina indicates that the object was well used for a long time.

 

 

Assrou n´swoul of this standard are extremely rare.

 

 

Tuareg History

 

          

 

Descended from Berbers in the region that is now Libya, the Tuareg are descendants of ancient Saharan peoples described by Herodotus, who mentions the ancient Libyan people, the Garamantes. Archaeological testimony is the ruins of Germa. Later, they expanded southward, into the Sahel.
 

 

The Tuareg (also known as Twareg, Touareg, Amazigh, Imuhagh and  Itargiyen, are a nomadic pastoralist people and the principal inhabitants of the Saharan interior of North Africa. Today the Tuareg inhabit parts of Niger, Mali, Algeria, Libya and Burkina Faso.


For over two millennia, the Tuareg operated the trans Saharan caravan trade connecting the great cities on the southern edge of the Sahara via five desert trade routes to the northern (Mediterranean) coast of Africa.The Tuareg adopted camel nomadism along with its distinctive form of social organization from camel herding Arabs about two thousand years ago, when the camel was introduced to the Sahara from Saudi Arabia. Like numerous African and other groups in pre-modern times, the Tuareg once took captives, either for trade or for domestic purposes; those who were not sold became assimilated into the Tuareg community. Captive servants and herdsmen formed a component of the division of labor of these nomads.

In the late nineteenth century, the Tuareg resisted the French invasion of their Central Saharan homelands for the purpose of colonization. Tuareg broadswords were no match for the more advanced weapons of French squadrons, and after numerous massacres on both sides, the Tuareg were subdued and required to sign treaties in Mali 1905 and Niger 1917. In southern Algeria, the French met some of the strongest resistance from the Ahaggar Tuareg. Their Amenokal, traditional chief Moussa ag Amastan, fought numerous battles in defense of the region. Finally, Tuareg territories were taken under French governance and their confederations were largely dismantled and reorganized.


 

Niger - Tuareg


Before French colonization, the Tuareg were organized into loose confederations, each consisting of a dozen or so tribes. Each of the main groups had a traditional leader called Amenokal along with an assembly of tribal chiefs. The groups were the Kel Ahaggar, Kel Ajjer, Kel Ayr, Adrar n Fughas, Iwəlləmədan, and Kel Gres.

 

Following the independence of African countries in 1960s, Tuareg territory was artificially divided into the modern nations of  Niger, Mali, Algeria, Libya and Burkina Faso.
 

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Himba Anklet

 

Namibia - Angola

 

 

 

Married Himba women wore heavy anklets. They were made of hand wrought iron beads, then strung onto a leather support structure. Anklets such as these displayed wealth and were worn daily. 

 

 

Click Thumbnails for Larger Images

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Our example is particularly old and the iron beads are extremely worn.

 

 

Himba women wore anklets until death. Nowadays Himba anklets are taken apart for their beads, which are then strung into necklaces and sold to tourists.

 

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Zulu Ear Plug  

 

"Iziqhaza"

 

Worn by men and women.

 

 

     

 

Zulu have worn ear plugs for centuries.

 

            

 

Our pair is of the highly sought after wood, vinyl and metal pins form.

 

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Rare Mfengu (Fingo) Knee Piece

 

 

      

 

This item was worn my young men of the Mfengu people, living in the vicinity of East London. The straps are made of goat hide. The attachment section includes brass beads much like used on girls aprons.

 

             

 

Today this has become a rare item. We have not seen one on the market for over 10 years.

 

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Ibo Anklet - Nigeria

 

 

    

 

A very old excellent example.

 

      

 

Most item is most probably of 19th century origin.

 

 

 

Frafra - Burkina Faso

 

Click thumbs to view detailed images.

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This anklet was worn by Frafra women in Burkina Faso.

 

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Kapsiki Armlets / Cameroon

 

 

 

 

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A very fine and rare matched pair.

 

 

 

Another

 

 

Click thumbs to view detailed images.

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Another matched pair made from Brass

 

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Thembu Leather Purses

 

 

       

 

Thembu women wore highly decorated leather purses upon their hips which held money and were called "isipaji".

 

 

Click thumbs to view detailed images.

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The purse openings were so small that sometimes a knife or razor edge had to be  used to extract the contents.

 

 

Click thumbs to view detailed images.

 

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This example has been mounted.

 

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Visit...  "Power Carriages of the Mandlakazi Clan"

 

 

 

 

 

Compliments of...

 

Galerie Ezakwantu

 

World leaders in aesthetically pleasing, authentic tribal art from Southern Africa.

 

 

Contact Galerie Ezakwantu for larger resolution images, availability and prices of items.

 

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