Galerie Ezakwantu

African Art       Franschhoek South Africa       Tribal Art

 

 

Central and Southern African Tribal Art

 

 

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African Adornment

Axes

Basketry

Beadwork

Beer Cups

Beer Pots

Colonial

Containers

Contemporary

Currency

Dolls

Figures-Statues

Hair Combs

Headdresses - Wigs

Headrests - Neck Rests

Imbenge Pot Covers

Masks - Masques

Meat Platters

Milk Pail

Miscellaneous

Musical Instruments

Pipes

Shields

Snuff  Spoons

S - Bottles

Spoons - Ladles

Staffs

Status Objects

Stools - Thrones

Tobacco Bags

Weapons - Congo

Weapons SA

Weapons

 

 

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African Axes - Status Axes - Currency Axes

 

 

Contact us for information on these objects, larger resolution pictures and/or prices.

 

 

 

 

Zulu Battle Axe / Circa 1920's 

 

"isizenze  - imbemba"

 

 

A fine and rarely seen example of an early collected Zulu battle axe.  The blade resembles those found amongst the Swazi, but the longer top portion confirms the origin ass Zululand proper. In comparison, Zulu battle axes are far rarer.

 

 

Drawings: The Zulu Battle Axe - Tim Maggs - Natal Museum

 

Battle axes depicted in Southern African Rock Paintings

 

 

Battle Axes in Museum Collections

 

 

 

Another ...

 

Zulu - Tsonga Battle Axe - 19th Century

 

 

Note the similarity to axe (1) above, it collected at Eshowe between 1884 and 1885.

 

 

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This finely wired battle axe was rediscovered in Australia.

 

Most likely it sailed there during the days of the "tall ships".

 

 

The Victorian blade was manufactured by Sheffield, originally a chopper.

 

 

And one other with brass studs...

 

 

Tsonga Battle Axe - Circa 1900

 

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This example has an African wrought blade placed into a half moon hilt with 18 brass tacks on one side for decoration.

 

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african vintage artefacts vintage antique artefact artifacts artifact artefacts ken karner, adze, tribal weapons, prestige, status axe, swaziland south african artifact southern africa southern african

 

 

Swazi Battle Axe

 

Isizeze - Siyeme

 

 

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                       Sobhuza Paramount Chief                                           Swazi Warrior

 

Photographs - The Ivy's Albums  - Circa 1920's

 

Sobhuza succeeded Ngwane V as Paramount Chief of Swaziland on December 10, 1899, when he was only a few months old. His grandmother, Labotsibeni Mdluli, acted as regent until December 22, 1921. His reign of 82 years, 9 months is the longest precisely dated monarchical reign on record and the longest documented reign of any monarch since antiquity. Only Pepi II Neferkare of Ancient Egypt and Taejo of the ancient Korean kingdom of Goguryeo are claimed to have reigned longer.


King Sobhuza kept many wives. According to the Swaziland National Trust Commission, "King Sobhuza II married 70 wives, and had 210 children between 1920 and 1970. About 180 children survived infancy. When he died he had over 1000 grandchildren. 

 

 

Swazi Battle Axe - Reed Dance

 

 

Excerpts by Gordon Crawford

 

 

AXES -  BATTLE-AXE / “SIZEZE”

According to Swazi oral tradition these axes were weapons kept in reserve after having used up one’s throwing spears. This is unlike the Zulu one, which may have been merely a prestige display symbol, restricted to military commanders with royal blood. It is a common Swazi weapon yet rare among the Zulu. Oral tradition also mentions these axes were often hidden behind a warrior’s shield. The intention was to lure the enemy out into the open by enticing them to attack seemingly unarmed men.

When carried by a Swazi warrior the axe is held in a vertical position, with the right hand at the end of the haft. The elbow is bent so that the fist is near the shoulder. In this position they are easily used against any potential foe. When walking they are still carried in this upright manner and are rocked slightly to and fro in an exaggerated swagger. Today they are considered an essential part of warrior attire at weddings and the annual Reed Dance.

Generally Swazi battle-axes consist of an attractive ‘swallow tail’ or V shaped iron blade imbedded into a straight wood haft by a round iron tang. The old battleaxes had blades forged by expert blacksmiths from single pieces of iron. These blacksmiths appear to have passed away during the early 1900s without training replacements, resulting in less robust axes being made since.

They are very large compared to most African axes, the haft measuring 1.2 meters or more. This large size can be seen in old pre-colonial photographs.
 

con't

 

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The blade of Galerie Ezakwantu's Swazi battle axe is of swallow tail form.

Brass wire decorates the object at for locations.

 

Continued - by Gordon Crawford

 

Approximately half of all 20th-century axes have wire weaving to strengthen the haft and tang joint. Before 1900 little or no wire binding was to be found on axes. Then from about 1900 until 1940 brass, copper or iron wire was occasionally used for binding the joint and for decoration.

When colorful telephone wire became available around 1940, multi-colored insulated wire became the norm for binding axe hafts.

Old blades are often re-hafted due to accidental haft breakage or deliberate breaking at funerals. Thus axes can display confusing indications of different ages. Wire binding may be added decades after the axe was made. Several old axes have been found with brass wire overlaid with insulated wire. In addition old axes with no wire binding could appear to be new by the later addition of plastic-coated wire binding.

 

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Authoritative Axe / Circa 1900

 

Tsonga Related

 

 

      

 

An excellent early collected example of rare form.

 

Finely woven African wirework adorns two sections of the shaft.

 

 

 

Related items published in "Industrie Des Cafres du Sud-Est de L'Afrique"  

 Snelleman / Muller 1891

 

 

      

 

Snelleman and Muller attribute these to "Zambezia". However, it is known that  a number of related examples were also field collected amongst the Tsonga in South Africa during the 1930's.  

 

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Status Axe

 

Ngindo - Tsonga - Ndau

 

 

           

 

Rediscovered in New Zealand from descendants of Sir Harry Johnson of the London Missionary Society. He authored “African Journey & America Revisited”, “Pioneers in South Africa - 1900”, “Night & Morning in Dark Africa - 1903”,  and  “The Story of my Life – 1923”

 

 

The antelope form occurs in objects in many ethnic groups throughout Mozambique and particularly in axes.

 

 

 

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These axes are associated with divination.

 

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Songye Axe - Congo / Circa 1920's        

 

 

 

A fine, heavily studded form.

 

 

Wonderful Form

 

 

 

Fabulous Display

 

 

 

Old Patina of Use

 

 

African Wrought Steel

 

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Fon - Benin / Togo

 

A beautiful Fon Ceremonial Axe

 

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Most Fon art was commissioned by the royal court.  This object was a royal marker of the king and his authority.  It is old and in pristine condition. The blade and attached decorations are made of brass.

 

 

 

French Postcard - First half of the 20th Century

 

         

              

Stylized animals are symbols associated with particular rulers.

 

The Fon Kingdom of Dahomey, which was ruled by the kings of the Alladahonu dynasty for over 200 hundred years, reached its political and economic peak between the early 18th and the mid-19th centuries. After conquering numerous small coastal states, the Fon monopolized the region's slave trade, resulting in phenomenal economic gains. The income helped to support the wealth of the King whose power was absolute.

 

 

 

Offered and sold at Sotheby's New York Sale - May 16th 2008

 

The Fon king was defeated by the French in 1892, and in 1894 the area now known as Bénin, became a colony of France under the name of Dahomey.

 

 

 

 

 

 

 

Pende Chief / Headman's Axe

 

 

 

This object dates to the 1950's and sports a flying bird-airplane.

 

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The 5 decorative holes were carved by hand, not with a machine. The blade is adze facing.

 

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Songye - Nsapo Currency Axe

 

Circa 1900 or Before

 

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According to Manfred Zirngibl in his book Rare African Weapons, page 129;

 

“The Songye are known for idolatry, masks and hatchets. The last mentioned represent and absolute high point in craftsmanship. The enormous expressiveness of their hatchets makes them objects of desire not only by collectors of African weapons but also by art lovers. The hatchets were used both as symbols of rank and dignity and as currency weapons. Due to their great popularity as items of barter, axes of this type have been found all the way over to the vicinity of Lake Tanganyika.

 

 The wooden shaft which basically comes in only one design is normally covered with sheet copper hammered very thin, but can also occasionally be found enclosed in lizard skin. In contrast to the handle, the blade can be made out of a wide variety of materials and has as many different designs.”

 

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Compliments of...

 

Galerie Ezakwantu

 

World leaders in aesthetically pleasing, authentic tribal art from Southern Africa.

 

 

Contact Galerie Ezakwantu for larger resolution images, availability and prices of items.

 

Visit our Gallery Links

Click a thumbnail to enter a page.

African Adornment

Axes

Basketry

Beadwork

Beer Cups

Beer Pots

Colonial

Containers

Contemporary

Currency

Dolls

Figures-Statues

Hair Combs

Headdresses - Wigs

Headrests - Neck Rests

Imbenge Pot Covers

Masks - Masques

Meat Platters

Milk Pail

Miscellaneous

Musical Instruments

Pipes

Shields

Snuff  Spoons

S - Bottles

Spoons - Ladles

Staffs

Status Objects

Stools - Thrones

Tobacco Bags

Weapons - Congo

Weapons SA

Weapons

 

 

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