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Gallery Ezakwantu

African Art  - Art Africain - Tribal Art -  菲洲艺术 - Afrikanische Kunst

 

Central and Southern African Tribal Art

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African Axes - Status Axes - Currency Axes

Haches Africaines - Afrikanische Axt

 

 

 

 

Double Axe - Spear

 

Shona - Mozambique

 

 

    

 

This circa 1900 ceremonial spear includes a double sided axe, the spear blade centrally positioned between the two blades. This design concept was likely Portuguese inspired, after Vasco da Gama's arrival in the late 15th century. 

 

 

The fabulous ceremonial object has four sections of detailed wirework. Central to the fine decoration is the area between the three blades. The use of darker wood in Shona - Karanga objects usually indicates Mozambique costal origin.

 

 

 

 

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Pende Chief / Headman's Axe

 

 

 

This object dates to the 1950's and sports a flying bird-airplane.

 

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The 5 decorative holes were carved by hand, not with a machine. The blade is adze facing.

 

 

 

 

 

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Ceremonial Dance Axe

 

Chamba Axe - Cameroon / Nigeria - Samba Axe

 

 

 

Chamba Ceremonial Dance Axe

 

The blade of this dance axe is a work of 'iron art'. The smith curved the blade forward into a half circle, and then wiggled it upwards into a miniaturized spear. Leather covers the section where the blade enters haft of the axe.

 

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The Chamba are also known as the Samba-Leko, Samba-Daga and Samba-Bali, but this was not always so. Some 200 years ago. they lost their traditional land to a jihad waged by The Fulani. The Chama were dispersed from what was Chambaland, an area then bordering the Faro and Deo rivers.

 

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The same happened again during the mid 19th century. The Chamba were pushed further south by the Yola Fulani, into the mountains of present day Cameroon and Nigeria. In this 'refugee' context, three physically separate sub groups were formed in either country.

 

      

 

 

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Zulu Battle Axe / Circa 1920's 

 

isizenze or imbemba

 

 

 

A fine, rarely seen example of an early collected Zulu battle axe.

 

A fine and rarely seen example of an early collected Zulu battle axe. The blade resembles those found amongst the Swazi, but the longer top blade, stylistically demarcates this to nearby Zululand proper.

 

Drawings found in; The Zulu Battle Axe - Tim Maggs - Natal Museum

 

 

Battle axes depicted in Southern African Rock Paintings

 

 

Battle Axes in Museum Collections

 

Note the similarity to axe (1) above, to the axe that follows. The example above was collected at Eshowe between 1884 and 1885.

 

 

 

Zulu - Tsonga Battle Axe

 

19th Century

 

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This finely wired battle axe was rediscovered in Australia, where it mostly traveled to on a steamship.

 

 

The Victorian blade was manufactured by Sheffield as a chopper.

 

 

 

 

 

 

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Authoritative Axe / Circa 1900

 

Tsonga Related - Mozambique

 

 

      

 

An excellent early collected example of rare form.

 

Finely woven African wirework adorns two sections of the shaft.

 

 

 

Related items published in "Industrie Des Cafres du Sud-Est de L'Afrique" Snelleman / Muller 1891

 

 

      

 

 

Snelleman and Muller attribute these to "Zambezia". However, it is known that  a number of related examples were field collected amongst the Tsonga in South Africa during the 1930's.  

 

 

 

 

 

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Ceremonial Dance Hoe

 

Western Zambia

 

 

 

Ila Speaking Girl - Zambia

 

Miniature hoes called Katemokavamwali were danced at female imitations called mwali in Angola, DRC - Congo and Western Zambia. Katemokavamwali literally means the hoe of the female initiate. Katemo is hoe,  vamwali is of (va) women (mwali) or female initiate... so; Katemo ka vamwali.

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For the most part blades were carved from wood or forged by an ironsmith. This example has a wooden blade, was once part of the Southern African Heinz Papen Collection and most likely dates to 1900 -1920.

 

 

       

 

The wooden blades underside has the initials MD carved into a backdrop of a larger "D". The object may have been offered at a presentation to an important official.

 

      

 

Traditional African body paint and scarification.

 

These images were taken in the early 1990's while a mwali ceremony was in progress, north west of Kabompo.

 
Girls of Chokwe, Ila, Luchazi, Mbunda and Luvale origins celebrate the coming of age at the Mwali ceremony in 'nkunka' huts. The event is as widespread as the boys mukanda, but conducted almost exclusively on an individual basis at the beginning at first menstruation. A teacher organizes the girls scarification, the stretching of her labia and applies body paints, all intended to fashion the perfect woman. The scarification is applied to her abdomen to add to and emphasize her role in childbearing.

 

 Katemokavamwali also dances at the boys Mukanda .

 

Another

 

 

 

This second example boasts a laminated ivory hilt and blade.

 

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By the 20th century, perhaps before, there was an established tradition of laminating flywhisks, staffs and Chimbuya axes with sections of ivory. This is one of only two ivory inlayed Katemokavamwali known to us, both early collected.

 

 

 

 

 

 

 

 

 

 

 

Galerie Ezakwantu

African Art       Franschhoek South Africa       Tribal Art

 

Central and Southern African Tribal Art

 

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If your family traded, visited or lived in Africa, or if you know of others who had and remain with old beadwork, pipes, sticks or ethnic photographs, please contact us. Click the treasure box above to learn more.

 

 

 

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