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African Axes - Status Axes - Currency Axes

Haches Africaines - Afrikanische Axt

 

 

 

 

 

 

 

Zulu Battle Axe / Circa 1920's 

 

isizenze or imbemba

 

 

 

A fine, rarely seen example of an early collected Zulu battle axe.

 

The blade resembles those found amongst the Swazi, but the longer blade length at the top confirms the axe was made by the Zulu.

 

Drawings found in; The Zulu Battle Axe - Tim Maggs - Natal Museum

 

 

Battle axes depicted in Southern African Rock Paintings

 

 

Battle Axes in Museum Collections

 

Note the similarity to axe (1) above, to the axe that follows. The example above was collected at Eshowe between 1884 and 1885.

 

 

Zulu - Tsonga Battle Axe

 

19th Century

 

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This finely wired battle axe was rediscovered in Australia, where it mostly traveled to on a steamship.

 

 

The Victorian blade was manufactured by Sheffield as a chopper.

 

 

Tsonga Battle Axe

 

Circa 1900

 

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This example has an African wrought blade placed into a half moon hilt with 18 brass tacks or studs placed on one side for decoration.

 

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Another

 

 

Tsonga Battle Axe

 

19th Century

 

 

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This old example has a flared haft, a style popular amongst 19th century Tsonga.

 

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Swazi Battle Axe

 

Isizeze - Siyeme

 

 

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                       Sobhuza Paramount Chief                                           Swazi Warrior

 

Photographs - The Ivy's Albums  - Circa 1920's

 

Sobhuza succeeded Ngwane V as Paramount Chief of Swaziland on December 10, 1899, when he was only a few months old. His grandmother, Labotsibeni Mdluli, acted as regent until December 22, 1921. His reign of 82 years, 9 months is the longest precisely dated monarchical reign on record and the longest documented reign of any monarch since antiquity. Only Pepi II Neferkare of Ancient Egypt and Taejo of the ancient Korean kingdom of Goguryeo are claimed to have reigned longer.


King Sobhuza kept many wives. According to the Swaziland National Trust Commission, King Sobhuza II married 70 wives, and had 210 children between 1920 and 1970. About 180 children survived infancy. When he died he had over 1000 grandchildren. 

 

 

Swazi Battle Axe - Reed Dance

 

 

Excerpts by Gordon Crawford

 

AXES -  BATTLE-AXE / “SIZEZE”


According to Swazi oral tradition these axes were weapons kept in reserve after having used up one’s throwing spears. This is unlike the Zulu one, which may have been merely a prestige display symbol, restricted to military commanders with royal blood. It is a common Swazi weapon yet rare among the Zulu. Oral tradition also mentions these axes were often hidden behind a warrior’s shield. The intention was to lure the enemy out into the open by enticing them to attack seemingly unarmed men.

When carried by a Swazi warrior the axe is held in a vertical position, with the right hand at the end of the haft. The elbow is bent so that the fist is near the shoulder. In this position they are easily used against any potential foe. When walking they are still carried in this upright manner and are rocked slightly to and fro in an exaggerated swagger. Today they are considered an essential part of warrior attire at weddings and the annual Reed Dance.

Generally Swazi battle-axes consist of an attractive ‘swallow tail’ or V shaped iron blade imbedded into a straight wood haft by a round iron tang. The old battleaxes had blades forged by expert blacksmiths from single pieces of iron. These blacksmiths appear to have passed away during the early 1900s without training replacements, resulting in less robust axes being made since.

They are very large compared to most African axes, the haft measuring 1.2 meters or more. This large size can be seen in old pre-colonial photographs.
 

con't

 

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The blade of Galerie Ezakwantu's Swazi battle axe is of swallow tail form. Brass wire decorates the object at four locations.

 

Continued - by Gordon Crawford

 

Approximately half of all 20th-century axes have wire weaving to strengthen the haft and tang joint. Before 1900 little or no wire binding was to be found on axes. Then from about 1900 until 1940 brass, copper or iron wire was occasionally used for binding the joint and for decoration.

When colorful telephone wire became available around 1940, multi-colored insulated wire became the norm for binding axe hafts.

Old blades are often re-hafted due to accidental haft breakage or deliberate breaking at funerals. Thus axes can display confusing indications of different ages. Wire binding may be added decades after the axe was made. Several old axes have been found with brass wire overlaid with insulated wire. In addition old axes with no wire binding could appear to be new by the later addition of plastic-coated wire binding.

 

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Double Axe - Spear / Mozambique

 

Shona - Karanga Related

 

 

    

 

This circa 1900 ceremonial spear includes a double sided axe, the spear blade centrally positioned between the two blades. This design concept was likely Portuguese inspired, after Vasco da Gama's arrival in the late 15th century. 

 

 

The fabulous ceremonial object has four sections of detailed wirework. Central to the fine decoration is the area between the three blades. The use of darker wood in Shona - Karanga objects usually indicates Mozambique costal origin.

 

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Authoritative Axe / Circa 1900

 

Tsonga Related - Mozambique

 

 

      

 

An excellent early collected example of rare form.

 

Finely woven African wirework adorns two sections of the shaft.

 

 

 

Related items published in "Industrie Des Cafres du Sud-Est de L'Afrique" Snelleman / Muller 1891

 

 

      

 

 

Snelleman and Muller attribute these to "Zambezia". However, it is known that  a number of related examples were field collected amongst the Tsonga in South Africa during the 1930's.  

 

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Ceremonial Dance Hoe

 

Western Zambia

 

 

 

Ila Speaking Girl - Zambia

 

Miniature hoes called Katemokavamwali were danced at female imitations called mwali in Angola, DRC - Congo and Western Zambia. Katemokavamwali literally means the hoe of the female initiate. Katemo is hoe,  vamwali is of (va) women (mwali) or female initiate... so; Katemo ka vamwali.

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For the most part blades were carved from wood or forged by an ironsmith. This example has a wooden blade, was once part of the Southern African Heinz Papen Collection and most likely dates to 1900 -1920.

 

 

       

 

The wooden blades underside has the initials MD carved into a backdrop of a larger "D". The object may have been offered at a presentation to an important official.

 

      

 

Traditional African body paint and scarification.

 

These images were taken in the early 1990's while a mwali ceremony was in progress, north west of Kabompo.

 
Girls of Chokwe, Ila, Luchazi, Mbunda and Luvale origins celebrate the coming of age at the mwali ceremony in nkunka huts. The event is as widespread as the boys mukanda, but conducted almost exclusively on an individual basis at the beginning at first menstruation. A teacher organizes the girls scarification, the stretching of her labia and applies body paints, all intended to fashion the perfect woman. The scarification is applied to her abdomen to add to and emphasize her role in childbearing.

 

The writer has viewed Katemokavamwali often danced at the boys Mukanda .

 

Another

 

 

 

This second example boasts a laminated ivory hilt and blade.

 

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By the 20th century, perhaps before, there was an established tradition of laminating flywhisks, staffs and chimbuya axes with sections of ivory. This is one of only two Katemokavamwali known to us, both early collected.

 

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Pende Chief / Headman's Axe

 

 

 

This object dates to the 1950's and sports a flying bird-airplane.

 

 

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The 5 decorative holes were carved by hand, not with a machine. The blade is adze facing.

 

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Songye - Nsapo Currency Axe

 

Circa 1900 or Before

 

 

 

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One of the most unusual and well known currencies in Africa are Songye - Naspo currency axes of the Congo river basin.  According to Manfred A. Zirngibl in his book Rare African Weapons, page 129;

“The Songye are known for idolatry, masks and hatchets. The last mentioned represent and absolute high point in craftsmanship. The enormous expressiveness of their hatchets makes them objects of desire not only by collectors of African weapons but also by art lovers. The hatchets were used both as symbols of rank and dignity and as currency weapons. Due to their great popularity as items of barter, axes of this type have been found all the way over to the vicinity of Lake Tanganyika.

 The wooden shaft which basically comes in only one design is normally covered with sheet copper hammered very thin, but can also occasionally be found enclosed in lizard skin. In contrast to the handle, the blade can be made out of a wide variety of materials and has as many different designs.”

Many weapons of the Congo basin were used as currency.  

 

 

Currency

 

Click this thumb to visit our African Currency Page

 

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