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Gallery Ezakwantu

African Art  - Art Africain - Tribal Art -  菲洲艺术 - Afrikanische Kunst

 

Central and Southern African Tribal Art

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African Beer Pots - Water Vessels

 

Pots de Bière Africaines - Afrikanischer Biertopf

 

 

 

 

Zulu Beer Pots

ukamba - uphisi - uphiso

 

 

 

    

 

                                                                                                Zulu Beer Pots ukamba with imbenge lids.

                           Early 20th Century Photograph              WIRED: CONTEMPORARY ZULU TELEPHONE WIRE BASKETS

 

            

 

Zulu pots are made from clay using the coil method. Pots with necks were called uphisi or uphiso. A neck was added to avoid spillage when carried from place to place, usually to weddings.

 

Beer was traditionally brewed  by women and served by them.

 

 

Beer pots without necks were called ukamba. These were literally beer 'cups', which required both hands.

 

 

Zulu Wedding - Ivy's Albums

 

 

Zulu Wedding - Ivy's Albums

 

When larger pots were transported, a branch of leaves might be stuck into the top to prevent spilling.


 

 

 

Virtually every home contained a number of beer pots of all sizes, as the consumption of fermented beer was part of a persons diet. Beer was made from crushed sorghum, millet or mealies (corn).

 

 

Beer left to ferment overflows..

 

 

Click thumbnails to enlarge.

 

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In addition to transporting beer over long distances, beer pots were used to fetch water.

 

 

Our Collection

 

 

Our current collection of ukamba beer pots follows.  This unique selection of pots was selectively chosen over many years,  ensuring that only the highest quality objects were obtained. During the period, most rural areas were extensively collected. Numerous famous potters and basket weavers have passed away due to HIV-AIDS and  social upheaval in the area.  Due to this instability and crime in the the region where the pots were obtained, accessing the area became dangerous for collectors, dealers and researchers. As a result, nowadays Zulu beer vessels hardly ever arrive from the hinterland.

 

In our view, the following objects probably represent the last of the great assembled Zulu beer vessel collections. Examples representing most decorative styles in Zululand are represented. Identify the pot below by row, or send us an email with its attached image.

 

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The following beer pots are far larger than those above and as a result, cost and shipping are affected.
 

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We hope you have enjoyed our Zulu pottery section.

 

 

 

 

 

 

 

 

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Other African Pottery

 

 

 

 

Gallery Ezakwantu specializes in aesthetically pleasing, authentic, old pots and vessels from South East and Southern Africa, including those of the Lozi, Makonde, Ndau, Nyakusa, Nyanja, Shona, South Sotho, Tambuka, Tsonga and Zulu peoples. We have exported perhaps 1000 examples worldwide.

 

You may view our current collection of African clay pots and vessels by scrolling down. Most images enlarge when clicked. Once open, quote the pictures file name or copy back the image for price and/or sizes. Airport to airport shipping charges depend on the size of the shipping cartons, exchange rates, destinations, etc. That cost includes all delivery charges up to your nearest international airport, as well as professional packaging and insurance. Each pot is filled with polystyrene chips, bubble wrapped, then floated in additional chips within a double walled export carton. All shipments arrive in fine condition as our packaging nearly trebles each objects original volume. You are kept well informed by email of the tracking details and progress of your shipment by our highly capable shippers.

 

 

An excerpt about  pottery appears at the bottom of the page. Be sure to scroll down.

 

 

 

 

 

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Makonde Grain Storage Pots

 

The Maconde live on both sides of the Mozambique and Tanzanian border in East / South-East Africa. Their pottery was extensively field collected over a five year period. Gallery Ezakwantu purposely purchased some of the finest examples, then stored them away. These pots are HUGE and heavily decorated with distinctive incised designs, not unlike tribal body scarification.

 

Click images to view larger resolution pictures.  

 

 

Makonde pots were used to store grain and have become all but impossible to locate on the international market.

 

 

 

 

 

 

 

 

 

Nyakusa - Tanzania / Zambia

 

Grain / Water Storage Containers

 

 

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The Nyakusa live to the west of the Makonde along the border of Tanzania and Zambia. Though smaller than Makonde pots, these too are heavily decorated with fine lines (1000's), including the undersides. When considering the distance the Southern African collector must travel to obtain them and the cost of fuel to bring them to the international market, it seems certain these will not be seen again. The same holds true for Makonde pots, as well as the Tambuka and Nyanja to follow. 

 

 

 

 

 

 

 

 

 

 

Nyanja Water and Beer Pots

 

 

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Nyanja clay pots from Mozambique, were predominantly used to hold water. The interaction of water and clay is evidenced from the calcium deposits left on the bottom of the pots, as well as the larger surface area 'in some cases'.  Efflorescent can lead to striking visuals effects. (above right).

 

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The Nyanja live to the south east of the Makonde and are coastal dwellers to some extent.

 

 

 

 

 

 

 

 

 

 

 

 

 

Ndau Beer Pot / Zimbabwe

 

 

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Large Ndau beer pots are found in South Eastern Zimbabwe. Bark fiber was woven over the surface. When soaked or drenched with water, refrigeration occurred through evaporation.

 

 

 

 

 

 

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Shona - Karanga Pots

 

Zimbabwe

 

 

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Some Shona / Karanga related groups use highly glossed pots resembling those of their Ndau neighbors. Our example came from an early colonial collection. Few pots have been collected. 

 

 

 

 

 

 

 

 

 

 

Rare Nguni Colonial Vessels

 

 

Click images for a larger resolution pictures.  

 

 

 

These two mystery clay pots also came to us from an old colonial context and likely date to the 1930's. Their incised decorations suggest a North Nguni (Zulu) origin, while at the same time chain links point to the Tsonga / Shangaan peoples. The design of these pots caused water to cool by means of evaporation, an idea replicated in Western Zambia.

 

 

 

 

 

 

 

 

 

 

 

North Sotho Pots

 

Tsonga - Shangaan

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Relatively small to medium sized pots were owned by both the North Sotho, Tsonga - Shangaan and even Venda peoples, all of whom live in proximity to each other. Above are fine - old - painted North Sotho pots from South Africa. Similar pots to the one in the middle of the trio may be found in the South Sotho context, whereas the two on either side have colors exclusive to North Sotho and Tsonga - Shangaan. Such pots are kept in the home as prestige, and can be used by traditional healers or Sangoma's.

 

 

 

 

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Mafwe Pots - Kwando River

Pottery of the Cuando River

Angola - Namibia - Zambia

 

 

Mafwe Cultural Group - National Achieves of Namibia - Windhoek - Circa 1909

 

The Mafwe people live along the Kwando river (Cuando) at the point where Angola, Namibia and Zambia come together. As the river flows south, it becomes the Linyanti (passing through the Linyanti Wildlife Reserve) and then the Chobe (passing through the Chobe National Park). The Chobe river (Kwando - Linyanti) enters the Zambezi near Kanzangula. In full flood, the Okavango Delta fed by the Okavango River, flows across the Selinda Spillway into the Linyanti, thereby connecting all three river systems and regional tribal peoples. This results in a mixing of cultures.
 

 

 


At first, Mafwe pots look like what most label Lozi or Barotse. However Mafwe pots  have attributes that differ, which can include zigzags, triangles, chevron patterns and dots. The lip of Mafwe pot necks are often flared outwards and constructed more solidly. (above - below)

 

 



Mafwe pots have been published before, but incorrectly… Above - the cover of
Smashing POTS - Feats of Clay from Africa - Nigel Barley - British Museum.  The inside cover reads: Pedestal cup and stirrup-necked pot. Sotho people, Lesotho (see p.26). The taller example is NOT from Lesotho - nor is it Sotho.

 

 

 

 

Page 26 reaffirms the cover error when summarizing the three as; Sotho people, Lesotho. The pot is from the Mafwe region.  

 

 

 

 

Additional errors occur on page 152. A caption reads: Left Elongated stoppered vessel with zigzag decoration of red and buff slip. Center: Cylindrical, ridged vessel of yellow clay with red slip. Sotho people, Lewanika, Lesotho.  Firstly, the layout of zigzag patterns on the left pot, as well as the center example's thick neck ring indicate that they are of Mafwe origin. Secondly - there is no such place as Lewanika, Lesotho. Lewanika was the paramount chief of the Lozi (Litunga) between 1878 and 1916. If nothing else, use of the word Lewanika regionally moves attribution closer to the Mafwe area.

 

 

 

 

Finally, page 34 attributes a cup to the Lozi saying: ... and a mug of yellow clay with a pattern of red triangles. Lozi people, Zambia. Lozi is closer to the target, but incorrect. Carved wooden and ceramic mugs were found all along the Namibian border with Angola, inspired by late 19th and early 20th century German presence. The Caprivi Strip itself (Caprivizipfel), named after German chancellor Leo von Caprivi, intersects the Mafwe at the Kwando river. Often this area, as well as people residing in Katima Mulilo, is tossed off as Lozi. Lozi in itself is a term often used for a mishmash of tribal groupings. Mafwe should NOT be included. Our pots follow.

 

Mafwe Pot 526

 

 

 

 

This is a large Mafwe water pot, used to cool water, with characteristic triangular decorations. It was collected from the Namibian population, not far from their paramount chief's residence.

 

Click these thumbnails for larger resolution pictures.  

 

 

Bikwe Catherine Maungulo, born on Singobeka island (then Namibia - now Botswana), was the owner (center). Like many of these refrigerator pots, it was dry and unused. Native oil made from natural animal fat (milk) was added to the surface of this pot (and others), to bring out lost patina. 

 

Mafwe Pot 527

 

 

 

 

This Mafwe pot was also collected in Namibia.

 

 

         

 

This pot, also collected in Namibia, is the largest we have seen or know of.

 

Click these thumbnails for larger resolution pictures.  

 

It is decorated with floral scenes, similar as those attributed to Lozi. However, its pronounced neckline is adorned with a good mix of trademark Mafwe chevrons and triangles.

 

 

 

Young children offer testament to this Mafwe pots size.

 

 

Mafwe Pot 525

 

 

 

 

This far smaller Mafwe pot exhibits zigzag - chevron patterns, triangles, as well as a full ring line accentuated with red circles or dots.

 

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It was collected from the Zambian Mafwe population, a distance inland from the Kwando river.

 

Click thumbnail for a larger resolution picture.  

 

 

Zambia gained independence in 1964. Kenneth Kaunda was it's first president and ruled until 1991. He was a popular figure during the first 20 years of rule. During that time, people often applied his initials (KK) to objects, as doing so was  measured to be patriotic and served as a measure of status.
 

Click either thumbnail for a larger resolution picture.  

 

 

 

Lozi / Mafwe related Pot - 524

 

 

 

 

This pot was collected in Libingi village, located in the Senanga district of Zambia, approximately 100 klms from the central Mafwe concentration. It is small and does not represent water pot dimensions typical to any area or people.

 

 

 

 

When asked, the owner said she was Lozi. When pressed further, she acknowledged she was Kololo. The Kololo are a northern Tswana (Bechwana) group who until overthrown, once ruled the Lozi. Over time they have become comfortable attributing themselves as Lozi.

 

Click these thumbnails for larger resolution pictures.  

 

The pot is not typical Lozi or Tswana (Kololo), or for that matter Mafwe. However the inverted triangular shapes indicate Mafwe influence.

 

 

 

 

Lozi Pot - 522

 

 

 

 

This pot was also purchased in Libingi village.

 

 

 

 

The owner, Ilwange Pizo, said he purchased it at Kalabo. Kalabo is a settlement of mixed Mbunda and Lozi people, located a considerable distance to the north on the west bank of the Barotse Plain.

 

 

 

Mr. Ilwange Pizo - South Western Zambia

 

Mbunda pots are predominantly dark in color, as are those of their Chokwe, Luvale and Luchazi cousins. For this reason, we feel the example above can be correctly identified as 20th century Lozi.

 

Click these thumbnails for larger resolution pictures.  

 

 

 

 

Mafwe Woman - Photo Gallery Ezakwantu

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sotho Pottery

 

Maritsŏana (Marie-tswana) Beer-Grain-Water Pots

 

Circa 1910 - 1960

 

 

 

     

 

 

Galerie Ezakwantu has collected pots from the Ba Sotho in Lesotho over many years. For the most part, pots found in any one village were invariably made in a certain style. When a variant was found, it represented an object that had travelled into the area from potters working outside the immediate region. Young women learned the art of pottery from older women of their village. Pots collected at the highest elevations of Lesotho often resembled one another. This was due to a lack of clay in their area and the need to purchase pots from makers living lower down the valleys near the clays source.

 

Large pots like the example carried by the woman (above right), were used to brew beer. The Basotho referred to the object as an  Eqho or Nkho.

 

 

     

 

Nowadays plastic containers have replaced the brewing function. When found, they generally had become all purpose containers such as laundry bags and in one case, the support for a small cabinet. (above)

 

 

We have found them secured into the ground.

 

Click the image below for higher resolution picture. 

 

 

This is our largest Nkho pot measuring just over 55 cms or 22 inches tall. The decoration around its upper rim was added to increase strength, needed when the great force of liquid was placed inside.

 

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These smaller Eqho's are quite scarce and very much area specific.

 

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This unusual shaped Nkho has sculptural characteristics of  the Maritsŏana pots which follow.

 

Black marks or 'fire marks' on this and other Sotho pots are caused when a pot leans against another during firing, or when touching the ground while cooling. This is because oxygen is prevented from returning to the clay during the cooling process, much in the same way as the polished surface of black Zulu pottery captures carbon while cooling.
 

The Sotho called these beer pots Maritsŏana (Marie-tswana). They were not only used to drink beer from, but also to fetch water or store grain.  Enjoy the stunning examples on offer.

 

All thumbs open to larger resolution images when clicked.  

 

 

 

The age of these pots may be determined from coloration. A pinkish terracotta tone is the natural color of  the pre-fired clay. Over the years oils, soot and grime builds up a darkened surface. We are comfortable saying some of our oldest examples may exceed 100 years in age, as some lighter examples date back 50 years.

 

 

 

People are too happy to sell their old pots for good money, in that they are now out of fashion.

 

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Though priced separately, these three examples display well as a trio.

 

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Both young and old bring clay pots to offer.

 

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Striking repairs are made with so called beeswax, obtained from the nests of hornets.

 

Click the thumbnails to view finer detail.

 

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This large Basotho pot is the most heavily restored African clay vessel we ever encountered. It has 14 rope stitches tied into 28 holes, each authentically tribally inserted. Paint used to further seal this item was removed.

 

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The above and lower pots are our largest Maritsŏana examples. Like some Nkho pots, the vessel to the above right incorporates a rim into its construction, affording added strength. The examples below are truly ancient.

 

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We hope you have enjoyed our Sotho selections. Viva to Sotho Potters!

 

 

 

Follow this link to learn more about the Sotho.   

 

 

Follow this link to view African potters.  

 

 

 

 

 

 

 

 

 

About Pottery

 

The invention of pottery is a highly significant cultural phenomenon in human history. Although the role of early ceramics in different areas of the world is still a matter of debate, the emergence of pottery in a culture has often been linked with important changes in lifestyle, such as sedentary living and the emergence of food production. Although pottery may have had different functions in different communities, and at distinct times in the same communities, it obviously had, and still has, a major impact on people’s lives. Ceramics have not only assumed a utilitarian role, for instance in the preparation and storage of food and beverages, but clay pots and figurines have also served ritual and medical purposes (Barnett & Hoopes 1995). In sub-Saharan Africa pottery is invested with great symbolic importance. The craft is surrounded with rituals and prohibitions and several steps in the production sequence serve as a metaphor for interpreting and acting upon certain facets of human experience. People make metaphoric use of pottery vocabulary to refer to transformations from wet to dry, soft to hard, raw to cooked, natural to cultural, impure to pure through the operation of heat, to mark isolation and destruction, to designate bodily cavities, or to discuss concepts like spirit, conception, and essence (Barley 1994; Gosselain 1999; Jacobson-Widding 1992). Moreover, ‘potting traditions are “sociotechnical aggregates”, an intricate mix of inventions, borrowed elements, and manipulations that display an amazing propensity to redefinition by individuals and local groups’ (Gosselain 2000). A potter’s technical behavior thus leaves room for choices both along functional and social or symbolic lines, creating multifaceted associations between technological styles and social identity.

 

From:  www.metafro.be 

 

 

 

 

 

 

 

 

Galerie Ezakwantu

African Art       Franschhoek South Africa       Tribal Art

 

Central and Southern African Tribal Art

 

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African Adornment - African Axes - African Basketry - African Beadwork - African Beer Cups - African Beer Pots - Colonial Figures - African Containers - Contemporary African Art - African Costume - African Currency - African Dolls - African Figures - African Hair Combs - African Headdresses - African Wigs - African Headrests - African Neck Rests - African Masks - Masques Africains - African Meat Platters - African Milk Pails - Miscellaneous Objects African Musical Instruments - African Jewelry - African Jewellery - African Pipes - African Shields - African Snuff  Spoons - African Snuff Bottles - African Spoons - African Ladles - African Staffs - African Status Objects - African Stools - African Thrones - African Tobacco Bags - Central African Weapons - Southern African Weapons - North African Weapons - Other Weapons - Zulu Imbenge Pot Covers

 

 

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If your family traded, visited or lived in Africa, or if you know of others who had and remain with old beadwork, pipes, sticks or ethnic photographs, please contact us. Click the treasure box above to learn more.

 

 

 

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