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African Dolls - Fertility Dolls

 

Child Figures from Southern Africa

 

Poupées Africaines - Afrikanische Puppen

 

 

 

 

 

 

 

About African Dolls...

 

Most dolls in Africa are used by children, primarily girls, to help them envisage their future roles as adult women, mothers and the primary caregivers in their communities.

 

Though used in play, the forms of many dolls encode important social and aesthetic concepts about appropriate demeanor and the links between physical and moral beauty.

 

Not surprisingly, dolls in different African societies emphasize in both form and decoration, aspects of ideal feminine beauty. They include elaborate coiffures, body ornamentation and physical features that underscore the importance of fertility.

 

 

 

 

Ndimba Doll - Angola

 

Circa 1960's

 

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Ndimba Doll - Angola

 

Until a few years ago, little contact had been made with the Ndimba people, who are relatives of the Mwila clans of Southern Angola. This doll was handed down to the vendor by her mother.  The centre or core of Ndimba dolls is made from a solid piece of carved wood. Fabric is obtained from the doll makers actual clothing. Plastic, wire and grass fibre rings are as those worn by the owner as bangles. Beads decorate the hairdo, which are meant to replicate the owners coiffure. The name given to the doll will become the name of the owners first born child. Below, a young Ndimba girl holds a similar doll.

 

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Angolan Doll - Ndimba Doll

 

The doll is adorned with reed bracelets similar to those seen on the girls lower legs.

 

 

Follow this link to learn more about child figures from Angola. 

 

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Swazi Snuff Doll - Indlelo

 

Suspended Fluted Snuff Bottle - Doll

 

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Fluted snuff containers made of horn were worn on the hip in southern Swaziland. Cotton wool and glass beads decorated the objects. These hold a striking resemblance to Swazi fertility dolls - worn in a similar manner - by Swazi who live further north.

 

 

Left:  EVOCATIONS OF THE CHILD - Pg 162 - Karel Nel

Right:  SiCEBiLE - Pg. 25 - Gordon Crawford (Malangabi)

 

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We have positioned this snuff bottle upright for display purposes. It was made by the Zunda dialect speakers, who used their stuff bottles as fertility dolls, much like the Northern Swazi. Gordon Crawford writes; In southern Swaziland maidens would give their personal snuff container to their boyfriend to wear. This act of intimacy indicated to everyone that he had a girlfriend. - A few elderly Zunda speaking people interviewed have stated that they were named after snuff containers given to fathers by mothers. - This overlap between dolls and snuff containers is understandable when one realizes that both the dolls and the snuff containers are worn identically to sway from the hip at traditional dances. - It may be that the suspended snuff container is the precursor of the Swazi fertility doll, which is probably a beaded pseudo snuff container.

 

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Tsonga - Shangaan Fertility Doll

 

Circa 1960's

 

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Tsonga / Shangaan dolls were called nwana, which meant "child" and were dressed somewhat like their Tsonga Shangaan owners. Dolls were made by pubescent girls and later used in dances during their puberty ceremony called khomba or musubethu. When a girl married, she would take the doll with other items to her new home, where ultimately a real child replaced the doll.

 

 

Shangaan women dressed in early 20th century attire. - ex Duggan-Cronin

 

Our doll was the property of a private collector who obtained it in the later part of the 20th century. It's beaded skirt was made from Salempore fabric originating India. Salempore was brought into the area by traders from Delagoa Bay and is also known as "nwalukambu".

 

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Ba Tonka Clay Dolls

 

Circa 1980

 

 

From the John Williams Collection

 

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Museum records confirm that most of the tribal peoples of Southern Africa origin made clay dolls during the 19th century. The Ba Tonka "or Batonga"  are no exception. They live on both sides of  the Zambezi River and Lake Kariba in Zambia and Zimbabwe. In 1960 the Kariba dam was completed, making it at the time the largest man made dam ever built. The Ba Tonka were forced to relocate away from the flooding valleys where they had lived and fished for what may be three millennium.

 

       

 

Ba Tonka Women - Circa 1949 - Barbara Tyrrell / Peter Jurgens

 

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"EVOCATIONS of the Child" refers to Southern African child figures made of clay as "Children of the Earth". John Williams collected both clay dolls on the Zambian side of the river. His Southern African collection contained mostly items dated to the mid 20th century or before. 

 

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This second example has a removable head. To our knowledge, clay dolls by the same hand are only known in one museum collection.

 

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 Ndebele Dolls - South Africa

 

umndwana

 

Circa 1950's

 

 

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Beaded Ndebele dolls were made for adolescent girls either by their mothers or by the girls themselves. The Ndebele dressed their dolls much as they did their person. Sometimes beaded rings encircle the dolls arms, patterned after actual arm rings worn by Ndebele women.

 

   

 

Adult women in traditional Ndebele dress.

 

The Ndebele Ndzundza  live in Mpumalanga South Africa and called their dolls "umndwana".

 

    

 

Small charms were made to be given away as presents - or sold as souvenirs. This example dates to the 1950's and sports oxidized copper wire leg rings.

 

 

Ivys Albums

 

Ndebele dolls pre-date Ndebele decorated walls. Dolls were photographed by Duggun-Cronin around 1923, whereas simple wall decorations were first photographed by Constance Larrabee in the late 1930’s and early 1940’s.

 

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Ntwane Initiation Dolls

 

Gimwane

 

Circa 1970's

 

 

Ntwane Girls with Gimwane Dolls - Barbara Tyrrell - Circa 1950

 

The emphasis on the Ntwane women’s central role as wives and mothers is pervasive even before female initiation. It finds its most visible form in the gimwane or popenyane – a traditional fertility doll constructed from plaited grass, wool, and beads.

 

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Three Ntwane "gimwane" dolls made for young girls initiation.

 

The skills necessary for producing the gimwane are passed down from mother to daughter. Pre-initiate girls pretend the dolls are the progeny of their current boyfriends, who are invited to participate in a dance competition, the outcome of which determines the leader of the prepubescent group.

 

 

      

 

Ntwane Girl with Gimwane Doll - Barbara Tyrrell - Circa 1950

 

The young boys usually congregate at the home of one of the girls, who place the gimwane in a line. The “fathers” and “mothers’ then form two rows on either side of the fertility dolls and proceed to dance with their partners.

 

 

   

 

                                Young girls at initiation.                                       Tribal Peoples of Southern Africa Page 75


Although these fertility dolls have no specific sexual articulation, the gender of some gimwane may be determined by the shapes of their frontal and rear aprons. Male gimwane tend to be dressed with rectangular front loincloths, while the female dolls may be identified by V-shaped aprons which resembles the rear aprons worn by uninitiated Ntwane girls.

 

 


 

Ntwane Doll - Circa 1940

 

This is our oldest Ntwane doll. It originates from the John Williams collection, a Southern African collection put together with items dating to the mid 20th century or before. Note that it is taller and far more narrow then the others.

 

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Zulu Fertility Dolls

 

Circa 1960

 

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Zulu dolls from the Msinga area were made by girls at the time of her engagement, and were then worn on her neck during special occasions. If the owner  visited her prospective in-laws she would put the doll’s hair over it’s face as a sign of respect. After she married, a tuft of red wool would be put on the doll’s head which made the statement; I’m married. The doll would be put in a place of honor in her hut and eventually would be given to her child or grandchild.

 

    

 

These pictures were likely taken in the 1960's and would have been commissioned by the girls to send to their boyfriends who lived in the urban centers. The girls hold related dolls.

 

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