|
|
Galerie Ezakwantu |
|
|
African Art Franschhoek South Africa Tribal Art |
Central and Southern African Tribal Art
|
Click a thumbnail to enter a page. Scroll down to view objects in the page. |
|
|
|
|
|
|
Pipes - Snuff Bottles - Snuff Spoons
|
|
Scroll
Down
Scroll Down
African Status Objects
Contact us for information on these objects, additional images and/or prices.
african swords authoritative staffs ceremonial axes african wirework african staffs figural knobkerries ceremonial axes vintage artefacts vintage antique artefact artifacts artifact artefacts Ken Karner
|
Venda Authoritative Staff
Tsonga - Zulu Related
The black and white images show another figurative knobkerrie most probably by the same hand as in The Art of Africa - MASK AND FIGURES from Eastern and Southern Africa - Holý 1967 - Pg 140
Click Thumbnails for Larger Images AFTER Page FULLY Loads
An important example with a pronounced head ring.
* |
|
|
|
Shi Status Sword
Burundi- DRC - Rwanda
The Shi live along lake Tanganyika's northernmost region in the Congo, Burundi and Rwanda. They are also known as or related to the Omushi, Abashi, Amashi, Bashi, Banyabungu, Wanyabungu and Bahavu. Small swords were owned by higher ranking people as sceptres. This delicate, circa 1900 example is almost completely covered in copper wire.
*
|
|
Fon - Benin / Togo
A beautiful Fon ceremonial axe.
Most Fon art was commissioned by the royal court. This object was a royal marker of the king and his authority.
The object is old and in pristine condition. It's blade and attached decorations are made of brass.
French Postcard - First half of the 20th Century
Stylized animals are symbols associated with particular rulers.
The Fon kingdom of Dahomey, which was ruled by the kings of the Alladahonu dynasty for over 200 hundred years, reached its political and economic peak between the early 18th and the mid-19th centuries. After conquering numerous small coastal states, the Fon monopolized the region's slave trade, resulting in phenomenal economic gains. The income helped to support the wealth of the King whose power was absolute. The Fon king was defeated by the French in 1892, and in 1894 the area now known as Bénin, became a colony of France under the name of Dahomey.
* |
|
Cobra Staff
Xhosa Related - Eastern Cape
Click Thumbnails for Larger Images AFTER Page FULLY Loads We are certain this staff is from the Eastern Cape, in that another by the artist ha been purchased from a Xhosa in the 1940’s by Mrs. Iris Heyes of Kidds Beach, who was 94 yrs old in 1996.
Quality staffs from the region are rarely seen, which makes this an important example dating to the 1st half of the 20th century.
* |
|
* |
|
|
Zulu / Tsonga Staff
Circa 1900
Of fully wired form.
*
|
|
Execution / Status Ngulu Sword
Ngombe / Doko
Belgium Congo - Circa 1900
Ngala Warriors and Tribal People
Click Thumbnails for Larger Images AFTER Page FULLY Loads
These drawings and a 19th century photograph show ngulu execution swords at various executions. The back side of the blade was used as a machete for cutting. The tensioned tree with rope assured the victims head would be flung far away into the forest at the moment of decapitation. They believed a person remained "aware" for some time after decapitation. As a result, the deceased final sensual experience was flying through the air to meet his or her ancestors.
Werner Fisher & Manfred A. Zirngibl wrote in their book Afrikanische Waffen;
This design was selected for cult and execution knives. A knife was created which symbolized the inexorableness on the judgment and execution. This execution knife became a symbol of power and, in a few variations became a ceremonial knife for tribal chieftains. At executions, the condemned man was tied to the ground with ropes and poles. His head was fastened with leather straps to a bent tree branch. In this way it was ensured that the man’s neck would remain stretched. After the decapitation, the head would be automatically catapulted far away.”
Executions were not judicial events meant for murders or criminals. They were events carried out for ceremonial purposes and the chosen were invariably slaves.
Both the Ngombe and Doko used the ngulu during the 20th century. The knife had transformed itself into a ceremonial dance blade. The reason for this was that by 1900 the Belgium's had forbidden executions, as well as cannibalism, equally widespread.
Regardless, the Ngombe continued to use the cult knife in their "Likbeti" dance, which often lasted two days. At the end of the dance a goat was sacrificed for the feast, with a single stroke from the back side of the blade. This goat was consumed, just as the limbs and torso of victims were in former times.
Our sword - knife was rediscovered in Australia during the early 90's.. It was most likely travelled there on a steamship during the first part of the 20th century. By this time, ngulu had become powerful status symbols and as such, important authorative objects. Both the weight and power of the blades function had decreased, while the art form enhanced with the addition of small projections.
The use of ngulu blades became more and more wide spread, intended for headmen and chiefs.
Above; a Mongo chief in full regalia, holding a ngulu, closely resembling ours.
*
|
|
Xhosa
– Ndlambe Dance Mace Circa 1950
The
Ndlambe are a sub group of Xhosa and those to which Nelson Mandela hails from. His people
referred to these dance maces as “Iboti”. They were owned by men and used at ceremonial
events by both sexes. The type, size and color of the beads used confirms the
rare example dates to the 1950's.
Photographs by Alice Mertens - Published in African Elegance - Joan Broster
*
|
|
|