Provenance: Mbunda People -
Western Zambia - Circa 1940 or before.
Sachihongo - The Diplomat
This is one of the finest Sachihongo masks known. Sachihongo
masks are often powerful or amusing, but few match the plastic
qualities - vigorous sculpture, harmonious balance,
surprising expression and deep patina of this powerful
character example. Its features make it one of the
masterpieces of the expressionist art developed by the
Mbunda.

Makishi Lya Zambia - Pg 223 - Charles Meur
Above - Sachihongo as he may appear
in full costume.
Sachihongo's dominant features are
forehead wrinkles, open carved eyes and mouth with protruding cheeks - carved in high relief. Decoration
may include feathers attached with fibre cord or inserted into
holes in the masks
upper ridge. In this masterwork,
provision was made to insert nasal and beard hair.
A ring of filed teeth circles the inner portion of the open
carved mouth.
Sachihongo has been described using
conflicting ancestral attributes. These include a hunter, a
diviner and even an Mbunda version of the Chokwe chiefs' mask
- Chihongo.
We differ. After years of continuous
search in an area, which clearly contained the largest
concentration of Mbunda people living in Western Zambia, informants
convinced us otherwise. The core area is located along the
west bank of the Zambezi. It begins north of Kalabo,
continues south towards Sioma and encompasses the territory
westwards to the Angolan border.
Smaller communities of Mbunda are scattered on the east bank of the Zambezi
up to and including the Kabompo area to the north - northeast.
Drawn by the abundance of water, fish
and wild game, a large concentration of Mbunda and Lozi
people live in villages side by side along the length of the
high water line on the west bank of the Barotse Plain. These
villages are densely populated and often overlap. Regardless
of the ethnic background, language and custom, it sometimes
is impossible to ascertain that you have left one village
and entered another. Where villages fail to interconnect,
you may find up to one kilometer of
space between, often burial grounds.
The Lozi and Mbunda are decisively
different from one another. Their culture is separated by
language, history and tradition. It is in this context where
Sachihongo evolved and flourished.
The Mbunda and related Chokwe peoples
circumcise their boys at mukanda, a male
coming of age training camp. They learn about various
ancestral personalities in the form of makishi or
likishi who perform and teach the young boys to be men.
Mbunda children and women are not allowed into the camps,
nor are uncircumcised men such as Lozi.
Village elders explained that friction
increased as the ethnic populations of the Mbunda and Lozi
grew along the flood plain. Fights, often inspired by
alcohol use, would break out if Lozi were uninvited or
expelled from Mbunda festive masquerades. From the
animosity, Sachihongo's conception was conceived and
evolved.
Sachihongo was made as the one personality
that all people, children, men and women, circumcised or not could
view and enjoy, of the otherwise secretive
Mbunda mukanda.
No doubt, Sachihongo would
be able to hunt, or know of traditional medicine, or might
even act like a friendly chief, but above this,
Sachihongo drew conflicting overlapping cultures together
through an intentional diplomatic role.