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Trade Beads - Perles de Troc
African Currency - African
Slave Beads
Handelsperlen

A bead is a small, decorative object
that is pierced for threading or stringing. Beads range in size from under a
millimeter to over a centimeter millimetre to over a centimetre to well over 10 cms. Glass, plastic and stone are the
most common materials, but beads are also made from bone, horn, ivory, metal,
shell, pearl, coral, gemstones, polymer clay, metal clay, resin, synthetic
minerals, wood, ceramic, fibre, paper, and seeds. Beads have existed since
the earliest pre-historic times. A pair of beads made from a
sea snail shell are thought to be the earliest known examples of jewellery.
(approximately 100,000 years) By the 'dawn of civilization' in ancient Sumerian
and Egyptian societies, the use of beads was already 'quite old'. It was the
ancient Egyptians who discovered the process of making glass itself. The bead chart below shows bead manufacture by
region from 30000 BC.
Click
on
the image to view a high resolution image, which will enable you to zoom in to
text.

The History of
Beads - Lois Sherr Dubin'
Neolithic Period
The Neolithic
period, which means 'from new stone', refers to a period of human development
that began about 10000 BC, or the end of the Stone Age. By this time humans had
pioneered wild cereal cultivation and become dependant on farming. By
8500 - 8000 BC, farming communities had spread to North Africa. By 7000 BC dogs,
sheep, goats, cows and pigs had been domesticated and the use of pottery
practiced. Independent
domestication events led to distinctive Neolithic cultures that arose completely
independent of those in Europe and Southwest Asia.

Neolithic Collection -Wolf-Dieter Miersch

Beadwork from the Sahara includes pendants made from
jasper, which may have been strung with agate, amazonite, carnelian, rock
crystal, or ostrich shell.

Pendants of sand stone and beads of pink jasper are also
known. Some ostrich shell beads are fossilized.
A selection of Neolithic beads which includes quartz.

Neolithic Beads and Pendants -Wolf-Dieter Miersch
Collection
Ancient Egypt was very much a part of Africa's Neolithic
period. Their word for luck was "sha" and "sha sha" meant bead.
Egyptians used beads to cover almost every article of clothing and any uncovered
part of the body. Quanties of beads were buried with the owner to ensure comfort
in the afterlife. With reference to Neolithic Egypt, Lois Dubin
wrote: No other civilization, however; manufactured
such and enormous variety of beads in so many different materials. They were not
only used for necklaces but were also attached to linen and papyrus backings to
make belts, aprons, and sandals. Beadwork originated in Old Kingdom Egypt about
2200 BC.

Of this collar, Lois Dubin wrote - Pg 41 'The
History of Beads': Collar of faience beads
depicting cornflowers, dates, lotus seed-pods, and petals in a pattern derived
from garlands of real flowers. Faience bead collars were frequently supplied as
favors to guests at banquets. This necklace typifies the technical brilliance of
the faience and glass jewellery of the Armana period (1379-1362 BC). It has been
suggested that the uniquely gay and joyful quality of Amarna period art and
jewelry reflects the sudden appearance of outside influences - possibly
attributable to Minoan artists who may have fled to Egypt after the fall the
Crete. Excavated from the tomb of Tutankhamen at Thebes.
African Bead Trade
Beads are one of the earliest forms of
currency used in trade. From the 16th century, a large production of decorative
beads was manufactured for the exchange of goods, services and slaves. Beads were made to ease
the passage of European explorers, mainly to the African and American
continents. They were produced throughout Europe, while Venetians dominated
production. Thousands of tons of beads were sent to Africa as ballast in slave
ships on their outbound voyage, which led to the name "Slave Bead". Beads were not only exchanged for human cargo,
but also ivory, gold and other goods desired in Europe and elsewhere in the
world. The success of bead
currency in Africa can largely be attributed to the high intrinsic value
Africans placed on decorative items. Social status was easily determined by
the quality, quantity and style of jewellery worn, which created the high demand
for trade beads throughout the region. Because of this, beads were
produced according to local demand and design.
Trade
Bead Sample Cards
Click these thumbs to view Bead Sample
Cards
Randles
Bros. & Hudson Ltd. - Johannesburg - Circa 1900
Seed Beads - 1913
Sick Collection - Royal Tropical Institute 1920's
Rocailles Beads Gablonz - 1913
Sick Collection - 1920's
Vaccari Collection Millefiori and 4 - 6 Layer Chevrons c 1900
Pretoria Distributors
British Museum 1865 Gold Trade British Museum 1865 Slave Trade
British Museum 1865 Ivory Trade
British Museum 1865 Palm Oil Trade
Mixed
un-named cards including chevrons. Private Collection
Nissin Namer - Royal Ontario Museum
Baker Baker & Co. - King Williams Town
The
bead cards and larger bead images found on this page represent trade beads
in museum and private collections. However, the
beads and information found in the charts that follow were obtained from
Scott
Semans
extensive and informative price lists. His first hand experience with traders,
adds quality information to the history of bead trade. You may contact
Scott
Semans
for prices and availability
of his items by clicking his name,
which appears throughout this webpage.
Mention of 'Dubin' refers to Lois Dubin's fantastic book, 'The History of
Beads'. Peter Francis wrote quite a number of wonderful books which include
'Beads of the World' and 'The Glass Trade Beads of Europe'. John and Ruth Picard
wrote and produced numerous volumes of exciting and visually important books and
or documents, the first of which was entitled; 'Chevron Beads from the West
African Trade'.
Chevrons - Chevron Trade Beads

Chevron Beads were traded
throughout the world from the late 15th century. Christopher Columbus is said to
have traded Chevrons when discovering the New World. They were introduced into Africa by Dutch merchants. The first specimens were
created by glass bead makers in Venice and Murano Italy. Chevrons were
originally called Rosetta beads, or star beads. The word Rosetta first appears in
the inventory of the Barovier Glass works in Murano in 1496.

Massive
Venetian Chevron - Circa 1480 1580 - Rediscovered in the Congo1983.
Measures 7.7 cms x 5 cms. Weight: 288 gms.
Chevron beads were traditionally made up
of red, blue and white layers. A smaller number of chevron beads were produced
in green, black and yellow. (above) Chevrons were 'drawn beads', made from glass
'canes' created in specifically constructed star mould. Star moulds are known to
have had between 5 and 18 points. Typically, four to seven layers of different coloured glass was added to the mould, conforming to the star mould. Metal plates
were affixed to the hot glass which was then 'drawn' into a long rod
called 'canes', by pulling from either in opposite directions. A bubble which
had been blown into the centre of the original molten ball of glass formed the
hole in the cane and beads perforation. The diameter of the cane or beads was
determined by how thin the glass was drawn out. The cooled cane was cut into
bead sizes, revealing a star pattern at either cut section. Each end was then
ground or faceted to enhance and display the star chevron pattern. Star
beads with flat ends are more correctly known as 'Rosetta star beads'.
The first known Chevrons typically had
seven layers and six facets. Over time and through use, an inner layer would
sometimes wear away. By the beginning of the 20th century, four and six layer
chevron beads appeared on various bead sample cards. Small quantities of chevron
beads continue to be made in Venice today.

Above, a selection of very large
chevrons collected in Shaba Zaire (Conge DRC) during the most part of the 1990's. At
the top is the largest 7 layered example we found. The centre necklace is made up
entirely of seven layered Chevrons, while the outer two examples date to early 20th century trade. These beads were re-discovered individually. They
would have entered the remote region through river sources, leading up from the mouth of the Congo River.
Imagine the history they have seen!
Contact
Scott
Semans
to purchase any of the following slave / trade beads.
|
 |
Chevron
7-layer |
Venice |
Classic 7-layer Chevron, a.k.a. "Rosetta" bead, possibly first made
by Romans, but the earliest Venetian 7-layers are dated to 1480-1580
and heralded the Renaissance of European bead making. An important
trade bead of the era. |
|
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Chevron
6-layer |
Venice |
Classic 6-layer Chevron, a.k.a. "Rosetta" bead, dating to late 19th
& early 20th C. |
|
 |
Chevron
4-layer |
Venice |
Classic 4-layer "Rosetta" bead, as with the 6-layer, dated to late
19th & early 20th C. |
|
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Chevron
4-layer |
Venice |
Classic 4-layer "Rosetta" bead, as with the 6-layer, dated to late
1800s. |
|
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Black Chevron |
Venice? |
Four layer black. Dubin p.116 & p.346 #12b quotes Michael Heide who
examined millions of African beads and found 6-10 examples of this
type. |
|
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Yellow
Jacket Chevron |
France? |
Five layer Chevron with yellow stripes on black/ white/ red/ white
core. Although attribution is tentative (Peter Francis,
Beads of the World p.65) this would be the highest value trade
bead produced in France. Dubin (p.116 #14a & p.346) |
|
 |
Green Chevron, Rounded |
Venice |
Also called Melon, watermelon, or Molonganame (Muly Yaghalama) beads
in Africa Pinched-end, 4-layer Chevron, Broad green stripes over
white / red/ white. |
|
 |
Green Chevron, Tabular |
Venice |
Also called Melon, watermelon, or Molonganame (Muly Yaghalama) beads
in Africa Pinched-end, 4-layer Chevron, Dark green broad stripes
over white / red / white. Tabular (Flat) Shape. |
|
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Awala Chevrons |
Venice |
Small striped beads, some multi-layered, others not. "Awala" or
Awally (Ghana). |
|
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Striped Chevron |
Venice |
Also called Melon, watermelon, or Molonganame (Muly Yaghalama) beads
in Africa Pinched-end, 4-layer Chevron |
Powder
Glass Beads - Sand Cast Beads
Powder glass beads are made from finely
ground glass which is then fused. The earliest powder glass beads we know of
were discovered during archaeological excavations at Mapungubwe in present day
South Africa and date to 970 to 1000 AD.
Ghana is the
centre of powder glass bead production in Africa, where bead making
was first
documented by John Barbot in 1746 . The great majority of beads were produced by
Ashanti and Krobo craftsmen and women. The beads themselves play an important
role in society, which include rituals of birth, coming of age, marriage and
death.

Bead Moulds
Clay Kiln
Mould with Crushed Glass

Bead Moulds - Wolf-Dieter Miersch Collection
The Krobo make
powder glass beads in vertical clay moulds, each with a number of depressions
designed to hold one bead. The mould is filled with pulverized glass in colour
layers, so as to obtain sequences of patterns or shapes. A cassava leaf stem is
often added, so that a perforation remains when fired. Other beads are pierced
when they are still hot with a pointed iron tool. Firing takes place in clay
kilns.

Fused Glass
Bicone Beads
Writing Beads
(Photography Evelyn Simak)
There are three
distinct styles of powder glass beads. 'Fused glass fragment' beads are made by
fusing together large bottle glass or glass with bead fragments. They are somewhat
translucent and receive their perforations and final shape after
firing. Other beads are made up of two halves, such as 'bicones or spheres'. The two
halves are joined after a further short firing process. The third are 'writing
beads' or 'Mue ne Angma'. These are conventional powder glass beads, with glass
slurry decorations that are 'written' on their surfaces and fused in a second
firing.
Old bottles and other scrap glass are
used to make all these beads. For special effect, sometimes cobalt medicine
bottles, cold cream jars, plates and ashtrays are purchased, as they yield
particularly bright colours or shiny surfaces.

Akoso Beads
Keta awuazi Beads
Kiffa Beads
Meteyi Beads Ateyun
Beads
(Photography Evelyn Simak)
Other variants of powder glass
beads made by the Krobo are Akoso beads, which are predominantly yellow,
but sometimes green. The Ashanti made Meteyi beads, in what appears to have been
horizontal moulds. The Yoruba made Ateyun beads, formed by hand (without moulds)
with water or saliva. These are always red and meant to imitate Mediterranean coral. Keta awuazi blue beads were very popular. They were made in Nigeria and Togo in
cylindrical shapes from horizontal moulds. Kiffa beads from Mauritania are
manufactured in the wet core technique and often fired in a sardine can.
It is thought these were made to mimic the appearance of millefiori beads from
Venice.
Contact
Scott
Semans
to purchase any of the following slave / trade beads.
|
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Abu-Dhabi |
Ghana |
Tapered cylinders of dark glass with bright trailed stripes,
imitating a c.1850s Venetian type which Dubin (#61a) calls "wound
glass with polychrome decoration." Made by the Asanati peoples. |
|
 |
Akoso |
Ghana
Togo |
Status beads of the Kings & nobility of the Ewe (= Krobo?). Ground
trade beads are fused in clay moulds. These are well-worn examples
of the "classic" period ca. 1870s-1910s. |
|
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Akoso Strand |
Ghana
Togo |
Status beads of the Kings & nobility of the Ewe (= Krobo?). Ground
trade beads are fused in clay moulds. These are well-worn examples
of the "classic" period ca. 1870s-1910s. |
|
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Coral
(Sand Cast) |
Ghana |
Krobo people. Glass beads in many shapes and sizes imitating coral,
1900s but not new. |
|
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Black
|
Ghana |
Sand-cast or "pop bottle" beads made of powdered glass, generally
imitating European trade beads. |
|
 |
Stripes |
Ghana |
Sand-cast or "pop bottle" beads made of powdered glass, said to
imitate Venetian "gas" beads. |
|
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Akoso types |
Ghana |
Sand-cast or "pop bottle" beads made of powdered glass, apparently
imitating the old sand-casts of the Ewe. |
|
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Mixed |
Ghana |
Sand-cast or "pop bottle" beads made of powdered glass, said to
imitate Venetian types. |
|
 |
Solid
Blue |
Ghana |
Sand-cast or "pop bottle" beads made of powdered glass. |
|
 |
Bulk |
Ghana |
Sand-cast or "pop bottle" beads made of powdered glass, generally
imitating Venetian or old Akoso beads. |
|
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Huge Krobo |
Ghana |
Huge modern beads made from powdered glass. Crude & rough. (Korobo)
|
Iron -
Copper - Brass - Aluminium - Silver Beads
Money or currency 'was' meant to store value as a medium of exchange. In Africa,
everything from seashells to salt functioned as exchange, while the use of
various metals was widespread. Pre-colonial African currency included
arrowheads, axes, hoes, spear blades, beads, ingots, etc, which could be made
from bronze, copper, iron, gold or silver. Coins were used in Northern and
Eastern Africa from Egyptian times as the region was part of the European
and Asian trade.

African currency is notable for its variety and in many places; various forms of
barter apply today. A slave could be bought in West Africa with a 'manilla
currency'; which was a 'C' shaped ring of bronze, copper and occasionally gold.
Manilla's were used as currency for centuries, while value depended on size and
metallic quality. Large quantities were manufactured in Europe for trade.

Katanga Crosses - Handa
Copper and Gold coinage from Katanga (Congo - DRC)
The Katanga Cross or 'handa', was a form of ancient money used in and around
present day Congo (DRC). Handa were X shaped ingots made by pouring molten
copper into either a stone or sand mould. They came in all sizes, represented
stored value and were a display of wealth or prestige. Larger examples are known
to have been traded as far as Yemen, Zimbabwe and South Africa.

Zulu Dondo Beads - 19th Century
South Africa
also had a tradition of bronze. Brass beads called 'Indondo' Izindondo
were worn by warriors for protection in battle.

Zulu King Upanda with brass
gauntlets, armlets or forearm bracers .
Brass armlets
called 'Ingxotha' Izingxotha, were worn by the Zulu King, or his solders
and favorites to which he had bestowed them.

Ancient iron Kisalen - Sanga
beads dating to the end of the 12th century - Shaba - Congo - DRC

Copper drawn and brass hammered
beads collected in the Congo - DRC.

Brass beads made by the lost
wax method were once a common store of wealth throughout West Africa.

This very large Nigerian Nupe
bronze bead was once the centrepiece of a necklace.
Contact
Scott
Semans
to purchase any of the following slave / trade beads.
|
 |
Iron: Small |
Nigeria |
Mostly bicone but some irregular, rough beads with large centre
hole. Iron in any form was considered money in Africa. |
|
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Iron: Large |
Nigeria |
Crudely cast & variable beads with large central holes. Iron in any
form was considered money in Africa. |
|
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Brass: Rough |
Nigeria |
Crudely cast & variable beads with large central holes. Any metal
bead could have been used as money in Africa. |
|
 |
Munshi Beads |
Sahara |
SThe Tiv (a.k.a. Munshi) tribe of Shima, northern Nigeria used
looped brass beads of average 12mm imitating a seed, valued at 1/4
silver Dirhem of the Mediterranean caliphates. |
|
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Moulay Beads |
Nigeria |
Derived from older Munshi beads of the Tiv, but used farther south.
|
|
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Brass Bicone, Ethiopia |
Ethiopia |
Unlike the similar Kirdi (Cameroun) these show seams indicating a
laborious wrapping process rather than casting. |
|
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Brass Bicone |
Cameroun |
Worn by single Kirdi women in strands drooping below the belly to
hide the genital area, so also called cache sexe beads. |
|
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Aluminum Squares |
Ethiopia |
In
the late 19th Cent. before a cheap extraction process was invented,
aluminum was as or more valuable than silver. Africans generally
ascribe healing properties to metals based on colour, and examples of
currency objects and bracelets of forms known normally in copper
occasionally turn up in well worn aluminum. |
|
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Prayer Beads |
Ethiopia |
Hollow, silver-plated. Age uncertain. |
|
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Asanti Charm |
Ghana |
Brass cosmological charm, basket-weave pattern. |
|
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Cosmology Beads |
Ivory Coast |
Brass beads with round animist cosmological symbol made by the
Baule. |
|
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Hishi: Brass |
Kenya? |
Small loops of drawn brass wire ("hishi, heishi") crimped by hand.
|
|
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Hishi: Copper |
Kenya |
Small loops of drawn copper wire ("hishi, heishi") crimped by hand.
|
|
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Talari |
Ethiopia |
Small loops of drawn wire ("hishi, heishi") made from nickel-silver.
The name comes from the Maria Theresa Taler (Maria Teresa Thaler) |
Millefiori -
Mellefiore - Mosaic Beads
Millefiori,
derived from mille 'or thousand' and fiori 'or flowers' means thousand flowers.
It is a detailed glasswork
technique which produced distinctive decorative patterns on glassware. The term
first appeared in the Oxford Dictionary in 1839. Prior to 1839 the process was
called 'mosaic'.

Photograph
- Evelyn Simak
Mosaic beads
are traced to ancient Rome, Phoenician and Alexandrine. Archaeological sites in
Ireland uncovered canes dating to the 8th century that were probably made
in Venice. Prior to the 15th century, glassmakers were only producing beads from
Rosetta canes. Like Chevrons, Rosetta beads were made by layering a
number of layers of coloured glass in a mould and then pulling it from
either end into a cane. The cane was then cut into short segments.
Large scale Millefiori
bead production began in the late 1800's. Beads were made by hand, one by one,
built on a centre glass core with solid colour. Thin slices of colourful Rosetta cane
were pressed into the surface of the wound glass while still hot. Millefiori or Mosaic
beads, became one of the most commonly traded and popular bead.
Contact
Scott
Semans
to purchase any of the following slave / trade beads.
|
 |
Millefiore |
Venice |
Yellow, brick red, Black; eye pattern. |
|
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Millefiore |
Venice |
Wavy, irregular multicolour bands; psychedelic! |
|
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Millefiore |
Venice |
Black with bright Yellow eye design. |
|
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Millefiore |
Venice |
Green & White barrel design bisected by multicolour banding.
|
|
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Millefiore |
Venice |
Sunburst-in eye design, Black, White, brick Red, Yellow. |
|
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Millefiore |
Venice |
Black with Red & Yellow eyes.
|
|
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Millefiore |
Venice |
Brick Red, White, Blue, Yellow. |
|
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Millefiore |
Venice |
Brick Red, White, Blue, Yellow. |
|
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Millefiore |
Venice |
Dark Red, White, bit of Blue. |
|
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Millefiore |
Venice |
Blue, Black, Brick Red, White. |
|
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Millefiore |
Venice |
Black, White eyes with red or yellow centres. |
|
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Millefiore
(Square) |
Venice |
Black with Yellow eyes with Brick Red & White borders. |
|
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Millifore
(Elbow) |
Venice |
Most valuable of Millefiori shapes, long pieces with a bend.
|
|
 |
Millifore |
Venice |
Wildly popular Mosaic or "many flower" design comes in endless
colours, patterns, shapes, and sizes and was produced by a variety of
techniques in Venice, late 1800's-1920s & later. |
Copal
Amber Beads
Amber is fossil
tree resin. Good quality amber is
used for the manufacture of ornamental objects and jewellery, as it is
appreciated for its colour. Although not
mineralized, it is sometimes considered a gemstone. The oldest
amber originates from the Upper Carboniferous period (345 million
years ago), but most of the world's amber dates to 30 to 90 million years ago.
Amber can sometimes contain insects and small vertebrates, as it originally was
resin. Resin is a shapeless organic substance that a plant secretes through
cells. Resin is not sap. Sap is a fluid which circulates within a plants
vascular system. The oldest known amber containing insects comes from the Lower
Cretaceous period (146 million years ago).

Amber Stone
Amber Room - St. Petersburg
Amber Stones
Amber occurs in a number of colours which includes the yellow orange
associated with the colour 'amber'. It can range between a whitish
tone, a pale lemon yellow, brown, red, green and nearly black. The rarest of all
colours is blue and highly sought after.

Copal Amber
A World of Necklaces - Ghysels Collection
Fossilized
amber should be distinguished from copal amber, which is semi fossilized resin
amber. Molecular polymerization caused by pressure and heat
transforms the resin first into copal and then over time through the evaporation
into amber.
African trade
beads were for the most part made from Copal Amber.
|
 |
Copal Amber |
Ethiopia |
Copal is an immature form of amber, and was often imitated in
plastic by European traders. |
|
 |
Natural Amber |
Gambia |
Natural tree amber from Gambia, roughly shaped into beads and holed
with a hot poker. Old amber (and imitation) beads were important
trade items in Africa. |
Dutch
Beads - Dutch Dogon Beads
Holland
manufactured some of the earliest beads for the African trade. The large solid
colour beads below, often called 'Dutch Dogon' were traded by Dutch merchants and
adventurers along the African coast. It is likely that most of these examples
were made in Amsterdam from 1580.

Lois Dubin
wrote: Archaeological excavations in the old parts
of Amsterdam suggest the existence of a glass bead making industry by 1580. More
than fifty thousand whole and fragmentary drawn glass beads were recently found
in late sixteenth century landfills at Waterlooplein, the old Jewish quarter.
(1987) - - - Dutch bead making appears to have had a relatively
short, but active life. By 1550, Venetian glassmakers from Murano were working
in Holland. From at least 1600 to 1750, beads manufactured in Holland were
carried by Dutch, English, and French explorers and merchants to North America,
South and West Africa, and Indonesia.

Dutch beads
traded their way deep into the interior of Africa and retained value centuries
after manufacture. The beads in the above two images were collected during the
1990's in Shaba, Zaire (Congo DRC). They represent usual and unusual colour shade
variants which surfaced from quite a few thousand necklaces. Dark blue and white
were the most common colours, whereas white opalescent and turquoise tones were
not. Note the pair of uncut doubles.
Contact
Scott
Semans
to purchase any of the following slave / trade beads.
|
 |
Dutch Dogon |
Holland |
Crude, wound type, always found well worn. One of the oldest trade
beads, made in Amsterdam 1580s & later, but probably also Bohemia,
Venice, etc. Dubin #101-102. |
|
 |
Dutch Dogon |
Holland |
One
of the oldest trade beads, made in Amsterdam 1580s & later, but
probably also Bohemia, Venice, etc. Dubin #101-102. |
|
 |
Bayon |
Holland |
Purple short barrels. Called Bayon in Congo. |
|
 |
Gajakuro / Aramissi |
Holland |
Small, roughly ellipsoid blue, green, and black beads called
Gajakuro in Ghana, Aramissi in Nigeria. Wound manufacture, likely
pre-1900. |
|
 |
Dogs Tooth |
Holland |
Subtly scalloped round black bead with white belt. Traded to the
Igbo of Nigeria. C |
|
 |
Rattlesnake & King |
Holland |
Irregular white bands on black, "wound glass with trailed
decoration" per Dubin #111 Traded into Ghana & found at North
American Iroquois sites dating before 1763. |
Kuba
Belt Bead - Pendant
Click thumbs to view larger images.
Published page 66 - Beadwork - A World
Guide
This bead
pendant or amulet was discovered in the Congo during the 1990's and made by the
Kuba peoples from Zaire – Congo – DRC. The blue and white beads are Venetian and
date to pre1920. The shell itself is a Cypraea Pantherina of the
Cypraeidae family, endemic to the Red sea and the Gulf of Aden (Identified
Lightfoot - 1758). The completed object is a trade bead as well as it is
currency. The shell traveled a great distance through 19th century caravan
trade.

Beadwork - A World Guide - Pg 67
Click thumbs to view larger images.
Beadwork - A World Guide - Pg 66
Like the shell
amulet above, this massive crocodile tooth became a bead pendant.
Mixed Trade
Beads - Slave Beads - Seed Beads
Contact
Scott
Semans
to purchase any of the following slave / trade beads.
|
 |
Watermelon |
Venice |
Also called Melon or Molonganame (Muly Yaghalama) beads in Africa.
Pinched-end, solid colours with stripes (not Chevrons). |
|
 |
Dutch Delft |
Venice |
Ellipsoid with fluid flower patterns in blue or red on bone white
base. Venetian imitations of a Dutch bead. Called Dabwa in Nigeria. |
|
 |
"Fancy" Beads |
Venice |
Black barrels with raised, trailed yellow banding. |
|
 |
French Cross, Yellow |
Venice |
Called Bodoum in Africa, yellow with cross of red, white & black,
similar to a King bead. |
|
 |
French Cross, Yellow Variants |
Venice |
Contemporaries of the French cross, but variations in shape or
pattern. Scarcer than the classic cross variety. |
|
 |
French Cross, White |
Venice |
Called Bodoum in Africa, white with cross of red, white & black This
colour was a trade item in the American southwest. Similar Dubin 70a
|
|
 |
French Cross, White Variants |
Venice |
Smaller, flatter beads with diagonal stripes. |
|
 |
French Stripe |
Venice |
French cross but a brighter yellow and lengthwise stripes. |
|
 |
Great Lakes |
Venice? |
Swirled dark blue stripes on white, beads. Associated with the
American Indian trade in the midwest. This type also produced by the
Dutch. |
|
 |
American Flag / Manhattan |
Venice |
Red
& blue stripes on white layer, over red core. Dubin "Wound
compound glass with polychrome stripes." Late 1700s, traded in Great
Lakes region and falsely associated with purchase of Manhattan.
|
|
 |
Feather |
Venice |
Caramel coloured wound bead with dragged decoration. Dubin 71.
|
|
 |
Ahinija |
Bohemia |
Oddly-shaped Tabular, moulded beads which fall naturally into a
crisscross stacked pattern when strung. Yellow with varicoloured
stripes. Traded into Ghana and associated with the gold trade. |
|
 |
Black striped |
Europe |
Black cane-cut beads with alternating red & white lengthwise
stripes. |
|
 |
"Roman" Beads |
Alexandria? |
Rough, matte beads excavated in southern Sahara regions from ancient
trade. Some are clearly wound, others may be drawn or possibly filed
wound beads to eliminate gapping when strung. |
|
 |
Eye
Bead: Black |
Venice |
Short, jet-black beads with white or multicolour "eyes." |
|
 |
Flower White hearts |
Venice |
Short barrels, floral pattern in white & blue on red, over white
core; basically white hearts with a pattern. |
|
 |
Good Bead |
Venice |
Brick red barrels with white squares . a.k.a.Venetian tic-tac-toe,
called "Good Bead" in Ghana. Dubin #73b "wound glass with polychrome
decoration." |
|
 |
Good (Eye) Bead |
Venice |
Circular or "eye" designs on solid background, generically called
"good bead" in Ghana. |
|
 |
King, classic yellow |
Venice |
Wound bicone bead from Venice, c. 1850s-1930s. Picard (Vol. V,
pl.26, strands 7, 13) quotes a note on an actual sample card "traded
for gold." |
|
 |
Black King |
Venice |
Classic bicone made 1850s-1930s, but scarcer black vs. usual yellow,
most with eye-like pattern. |
|
 |
Baby Black King |
Venice |
Classic bicone in a smaller size with multicoloured swirled
stripes. Made 1850s-1930s, but scarcer black vs. usual yellow.
|
|
 |
King, Stripe & Dot |
Venice |
Perhaps an early version of King beads, rounded egg-yellow with
incused red dots and trailed green stripes. |
|
 |
Medicine Beads |
Venice |
Called Medicine Bead by North American Indians. A solid white,
slightly ovoid wound bead with incused dark blue dots and trailed
pink lines. |
|
 |
Nueva Cadiz |
Spain? Venice? |
Long light-blue tubular bead without layers. The layered versions
are known from 16th Century sites in South America, but this variety
(Smith & Good, 1982, #34) is associated with 17th Century North
American sites. |
|
 |
Proto-bead |
Venice |
Early trade bead, possible ancestor of both King beads and
Cournalene d'Aleppo. |
|
 |
Russian Blue (elongated) |
Bohemia |
Classic Cobalt Blue, faceted elongated beads, associated with North
American trade. |
|
 |
Russian Blue (squared) |
Bohemia |
Faceted Classic Cobalt Blue, associated with North American trade.
|
|
 |
Skunk: Black |
Venice |
a.k.a. Crows eye, Eye bead. White or coloured "eye" spots on round
black beads. |
|
 |
Skunk: Clear |
Venice |
a.k.a. Crows eye, Eye bead. White or coloured "eye" spots on round
semi-clear beads. |
|
 |
Skunk: Red |
Venice |
a.k.a. Crows eye, Eye bead. White Heart. White "eye" spots on round
red beads over white core. A high-value bead, traded into Ethiopia.
Beads 10-11m. Dubin #95 "wound compound glass with polychrome dots."
|
|
 |
"Togo Stone" Beads |
Europe |
Single beads Glass imitations of the valued "Togo stone" money.
|
|
 |
White Heart (Cournalene) |
Venice |
Red
over white core. Among the oldest of White Heart types. |
|
 |
White Heart (Cournalene) |
Venice |
Cournalene d'Aleppo, Hudsons Bay Trade Beads: Among the oldest of
White Heart types. |
|
 |
White Heart (Cournalene) |
Venice |
Cournalene d'Aleppo, Hudsons Bay Trade Beads: Among the oldest of
White Heart types. |
|
 |
Flower White hearts |
Venice |
Round White-hearts with blue-on-white leaf pattern repeated 4x.
|
|
 |
Yemen Agate |
Idar- Oberstein? |
Dark-and-white banded stone beads.
|
|
 |
Agate Glass |
Bohemia? |
Sextagonal, Flat, Red-Brown and ruby Red glass. |
|
 |
Agate, White |
Venice |
Large glass beads traded to the Yoruba. Milky white,
semi-translucent with veins. |
|
 |
Bauxite Rounds? |
Bohemia? |
Dark Red disks, possibly imitating the African bauxite bead colour.
Used by Yoruba of Nigeria. |
|
 |
Carnelian Glass |
|
Round Glass beads imitating striped carnelian stone, mixed colours,
sizes. |
|
 |
Carnelian Glass |
Germany |
Visually convincing glass imitations of carnelian agate, from
Germany, traded into Mali and Senegal.
|
|
 |
Czech Padre, Large |
Bohemia |
Unusual Orange colour. |
|
 |
Czech "Crystal" |
Bohemia |
Faceted glass bead in a shape typical of cut crystal. |
|
 |
Czech "Diamond" |
Bohemia |
Faceted glass bead in a shape typical of cut diamond. |
|
 |
Donut, Blue |
Germany |
Ca.
1860-97. One of the few trade beads attributable to Germany. Crude
wound bead with unusually wide holes. |
|
 |
Donut: Clear |
Germany |
Ca.
1860-97. One of the few trade beads attributable to Germany. Crude
wound bead with unusually wide holes. |
|
 |
Donut: Modern |
|
Faithful reproductions of the 19th Century German beads with usual
crude appearance. |
|
 |
Donut: Round |
Germany |
Ca.
1860-97. One of the few trade beads attributable to Germany. Crude
round beads of clear glass. |
|
 |
Green Hearts |
Venice |
Older green-hearts, probably 1700's, irregular dark red tubes over
greenish cores. |
|
 |
Hebron: Yellow |
Palestine
Sudan |
Peter Francis in Beads of the World p.78 notes that, during
the disruption of the Crusades, " . . .bead makers apparently
emigrated from Tyre on the Mediterranean coast to Hebron near
Jerusalem sometime after the twelfth century. They made beads there,
using the salts of the Dead Sea as their alkali. Their glass was
opaque yellow and green, sometimes blue and black. The beads were
furnace-wound and were popular in Egypt and in sub-Saharan Africa."
Traded to Sudan, where they are found today. |
|
 |
Hebron (Kano): Blue |
Palestine
Sudan
|
Medieval Palestine, traded to the Sudan. |
|
 |
Hebron (Kano): Green |
Palestine
Sudan
|
Medieval Palestine, traded to the Sudan. |
|
 |
Baby Hebron |
Palestine
Sudan
|
Small versions of this early bead from Palestine. |
|
 |
European Hebron |
Sudan |
European-made versions of the ancient Hebron beads made in the
middle east and popular in the Sudan. |
|
 |
King Bead Disks |
Venice |
Same porous, chalky yellow glass as classic King bead, but plain
disks 17m wide. Traded into Ghana. |
|
 |
King type, Mixed |
Venice |
Tubular beads in egg-yolk yellow as King beads. |
|
 |
Senegal Blue |
Venice |
Excavated beads from Senegal, product of Venice late 1700's-1800s?
Range 2-8mm width. One strand has some green, another soe "Russian
blue" mixed in. Strands available: a, b |
|
 |
Sherpa Coral |
Tibet
India |
Imitating Coral, these glass beads were made in India and traded
into Tibet. |
|
 |
Talhakimt Pendants |
Europe |
Large, flat European-made glass beads copying metal & stone pieces
used by the Tuaregs of the northern Sahara. Called Zinder beads in
Europe. See Der Primitivgeldsammler 1989/1 p.23 #IV1,3. Opitz
p.38, 64. |
|
 |
Talhakimt, Agate |
Europe |
Pink stone European-made beads used by the Tuareg of the northern
Sahara. Called Zinder beads in Europe. See Der
Primitivgeldsammler 1989/1 p.23 #IV1,3., Opitz p.38, 64.
Specimens available: a, b, c, d |
|
 |
Tomato |
Venice |
Large, slightly translucent beads, irregularly rounded, in yellow.
|
|
 |
Tomato, Yellow |
Venice |
Large, slightly translucent beads, irregularly rounded, in brilliant
shades of red. Traded into Ethiopia. |
|
 |
Tubular faceted |
Holland? |
Long, translucent. |
|
 |
Vaseline, green |
Bohemia |
Translucent forest green in unique short faceted bicone shape. Made.
ca. 1830-1900 according to P. Francis. |
|
 |
Vaseline, red |
Bohemia |
Translucent deep red in unique short faceted bicone shape. Made. ca.
1830-1900 according to P. Francis. |
|
 |
Early wound: Orange |
Venice |
Crude wound beads,in a matte tangerine colour. They resemble beads
found in medieval Saharan sites such as Djenne. |
|
 |
Early drawn: Green |
Venice |
Crude drawn beads, in a semi-translucent green colour. They
resemble beads found in medieval Saharan sites such as Djenne.
|
|
 |
Agate Glass |
Venice? |
Tubular faceted beads. The stone-like striations stop at the
lengthwise seam. |
|
 |
Agate: squared |
Idar
Oberstein? |
Stone beads, roughly lozenge shaped. |
|
 |
Black Agate (glass) |
Bohemia? |
Ellipsoid & other shapes in jet black, sometimes with white bands.
Traded into Nigeria. |
|
 |
Black ridged |
Bohemia? |
Short, jet-black beads with 6 prominent ridges. |
|
 |
Blue White-heart |
Europe |
Small cane-cut blue over white core. |
|
 |
Cassamance (Shipwreck) |
Senegal |
Milk white, rough and irregular tubular shaped beads from Venice.
They washing up on the beaches of Senegal's Casamance region. |
|
 |
Colourado |
Europe |
a.k.a. Colodanto, Congoina. Large ellipsoids. |
|
 |
Colourado / Fulani |
Europe |
Bright red, a.k.a. Colourado, Congoina. Large ellipsoids used by the
Fulani. |
|
 |
Cranberry |
Bohemia |
Dark red-brown when worn, they glow a deep red when held to the sun
or a light. |
|
 |
Cranberry |
Bohemia |
Dark red-brown, or translucent red. Round or multifaceted squares.
|
|
 |
Cranberry: disks |
Bohemia |
Medium red-brown disks. |
|
 |
Czech Cubes |
Bohemia |
Translucent red with white frosting. Moulded, early 1900s. One of
types called Kancamba (Kancamba) in Ghana. |
|
 |
Czech Padre |
Bohemia |
Moulded beads imitating Chinese Padres. |
|
 |
Dice Beads, Pink |
Bohemia |
Beveled rectangles, Imitating dice. |
|
 |
Dice Beads, Colours |
Bohemia |
Beveled rectangles, Imitating dice. P |
|
 |
Dice Beads, Mixed |
Bohemia |
Bevelled rectangles, Imitating dice. |
|
 |
Dice, Unused |
Bohemia |
Shiny new beads, but from an old trading stock. |
|
 |
Dogbone (Drum) |
Bohemia |
a.k.a. Drum or Dondo (Ghana). Bright red. |
|
 |
Dogbone (Dumbell) |
Bohemia |
Bright red, about 4 x 9m. Called Coral Beads in Togo. |
|
 |
Elbow / Macaroni |
Bohemia |
Bright shades of red to orange. Traded into Senegal and Mali.
|
|
 |
Flower-shape |
Bohemia |
Four knobs around central hole vaguely imitate flower shape. |
|
 |
Lemon Beads |
Bohemia |
Bright lemon-yellow beads. |
|
 |
Massai (Black) |
Holland? |
Glossy black square-cut tubular beads of the type called "Baya" in
West Africa, where various colours are traded. Black beads are traded
to the Massai of East Africa. |
|
 |
Modern White-heart |
Czech |
Modern version of this classic trade bead, still with a rough
"wound" look, variety in shape and thickness, and the brilliant red
produced by translucent glass over a white core. |
|
 |
Padre: Tourquoise, White |
China |
Chinese bead which travelled all over the world as part of the
Spanish silver trade. Made . late 18th-early 19th C. by the
primitive winding process. |
|
 |
Padre: Scarce colours |
China |
Less common colours: Green Red, Yellow, or translucent Blue. |
|
 |
Padre: Scarcest |
China |
Scarce colours: Black, mixed Black/Purple, or translucent Brown
|
|
 |
Padre?: Pink |
China? |
Found in Kenya where pink beads are popular with the Massai. |
|
 |
Peking Glass: Old |
China |
The
Chinese have been making crude, wound-type beads for trade for a
long time.
|
|
 |
Red
Triangle |
Bohemia |
Translucent red. Traded into Mali. |
|
 |
Russian Blue (Africa) |
Bohemia |
Small 4m width. Traded into Africa & hence not as popular as darker
type used in North America |
|
 |
Scallop |
Bohemia? |
Small Purple & White of complex shape.
|
|
 |
Sotro |
Venice |
Rounded yellow beads with red and blue or black stripes, called
Sotro (bullet) in Ghana |
|
 |
Vertebrae |
Bohemia? |
Squared brown dumbell shapes which fit together like snake
vertebrae.. |
|
 |
White Heart |
Venice |
Cane-cut, medium, red & yellow. |
|
 |
White Heart |
Venice |
Cane-cut, small. Traded to Hill Tribes in Thailand / Burma.
|
|
 |
White Heart |
Venice |
Translucent coloured glass over a white core, first made in Venice
and traded all over the world in a variety of shapes and sizes.
|
|
 |
White Heart Blue Orange |
Venice? |
Variant on the older red white heart were traded into Ethiopia. Blue
over white core. |
|
 |
White Heart Tubes |
Venice |
Familiar translucent red over white core, but in thin 2.5mm tubes in
variable lengths. Traded into Nigeria.
|
|
 |
Agate Glass |
Europe |
Round-faceted, Carmel & White. Moulded. |
|
 |
Gumba / Fulani |
Venice |
Apparently Gumba is a generic Nigerian name for small purple beads.
Also called Fulani beads. |
|
 |
Janie |
Venice |
Called Janie in Africa, probably a corruption of Djenne. Slightly
translucent blue tubes. |
|
 |
Kancamba |
Bohemia |
Moulded disk beads in a variety of colours & sizes. Early 1900s. Dubin
125. |
|
 |
Kancamba |
Bohemia |
Moulded disk beads in green. Early 1900s. Dubin 125. |
|
 |
Massai, Seed |
Venice |
Small pink beads favored by the Massai of Kenya. |
|
 |
Massai, wound |
China? |
Pinkish beads favored by the Massai of Kenya. Newly purchased group
of larger, wound beads, rather than the usual cane-cut types. |
|
 |
Purple tubes |
Europe |
Light purple tube beads. |
|
 |
Seed |
Europe, etc. |
Commonest trade beads, made in Europe, China, India, etc. |
|
 |
Seed, Black |
Europe |
Black Strands |
|
 |
Seed, White |
Europe-etc. |
White strands. |
|
 |
Seed / Fulane |
|
Tiny seed beads, one of several types called Fulane beads in Ghana. |
|
 |
Seed: Chinese |
China |
Cruder and larger than European types, they look like tiny Padre
beads. |
|
 |
Snake Beads, Large |
Bohemia |
Late 1800s, cleverly made to imitate nesting snake vertebrae which
are used throughout Africa for divination. |
|
 |
Sokingkode |
Europe |
Tbular translucent Red. Called Sokingkode in Ghana. |
|
 |
Translucent Disks |
Europe |
Small annular beads with pleasing luminous colours. |
|
 |
Bauxite |
Nigeria |
Rough earth-red beads from clay rich in aluminum ore, a distinctive
African bead. |
|
 |
Ostrich Eggshell |
East Africa |
Turkana, Samburu, Ovambo, Koi - San tribes. Rough roundish disksof
tough eggshell, centre-pierced. A well-known odd & curious item &
one of few beads from eastern Africa.
|
|
 |
Coconut Disks |
Nigeria |
Used in divination. |
|
 |
Copper Tube Beads |
Ethiopia |
Thin sheet copper rolled into 7-9mm tubes and strung. Copper is the
major currency metal in Africa. |
|
 |
Natural Coral |
Mali |
Vivid orange sticks and chunks of coral. |
|
 |
Dig
Beads |
Jenne Jeno |
Excavated beads, mostly stone, tiny, mostly 2-3m. Said to be 1000
years old. |
|
 |
Dig
Beads |
Jenne Jeno |
Excavated beads, mostly stone, larger beads, polished, in graduated
strands. |
|
 |
Colourful Dig Beads |
Mali
Senegal |
Excavated glass in mixed colours, said to be 1000 yers old as the
Djenne-Jeno type. |
|
 |
Excavated Terracotta |
Djenné |
From the medieval site of Djenné in Niger on the Tumbuctu trade
route, excavated terracotta beads 500-800 years old. |
|
 |
Jenne-Jeno Carnelian |
Sahara |
Excavated at the ancient trade centre of Jenne-Jeno on the upper
Niger river. |
|
 |
Jenne-Jeno Carnelian |
Sahara |
Excavated at the ancient trade centre of Jenne-Jeno on the upper
Niger river. |
|
 |
Malachite |
Congo |
Beautiful veined green stone. |
|
 |
Mali Granite |
Mali
Senegal |
Perhaps1600s-1700s. |
|
 |
Niger Granite |
Niger |
Rough grey chunks. Age unknown, but at least 200-300 years old.
Sample shown. |
|
 |
Quartz |
Mali |
Rock quartz. |
|
 |
Sandstone |
Niger |
Irregular tubes of hard, rough material. |
|
 |
Snake Bones |
Africa |
Actual snake Vertebrae, used in divination throughout Africa.
|
|
 |
Soft Stone |
Ghana |
Crude, excavated beads made of a soft, soapy stone. |
|
 |
Spindle Whorls |
Nigeria |
Strung as beads, these are terracotta weights used to spin fabric
strands into thread. |
|
 |
Wedding
Bead |
Gambia |
Large orange terracotta bead. Gambia |
The
History of Beads - Lois Dubin Maps
Click
a thumb to enjoy Lois Dubin's informative maps.
The Beginnings
River Valley Civilizations
The Phoenicians
The Roman World
Europe
The World of Islam
European Expansion Africa -
Pre-History to Present
Africa 1987
Thanks Lois - If you would like to kill us for posting
the, please firs 'honour us' with an attack visit to explain. :-)

Lion Teeth
collected in the Congo (DRC)

We hope you
have enjoyed this page and invite you to click the thumbs below to view enter
our gallery links.
Gallery
Ezakwantu has a small collection of trade
beads for sale at this African currency link.

You may also
visit this link to view necklaces by Sonja
Zytkow.
*
|