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Gallery Ezakwantu

African Art  - Art Africain - Tribal Art -  菲洲艺术 - Afrikanische Kunst

 

Central and Southern African Tribal Art

 

 

   

 

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Dr. Killie Campbell

 

Margaret Roach Campbell - 9 September 1881 - 28 September 1965

 

Killie Campbell

 

 

Killie Campbell and Barbara Tyrrell at Muckleneuk

 

Barbara Tyrrell (mother, wife, journalist, author, adventurer, ethnologist and artist), smiles when explaining how she was treated by Killie Campbell as her unspoken daughter. Killie lived Barbara's adventure through Barbara and her paintings.

 

Some years after Killie's death, Barbara wrote a tribute of her thoughts for the Killie Campbell Library. The document leaves little doubt that Killie was Barbara's mentor and best friend.

 

 

A Tribute to Killie Campbell - by Barbara Tyrrell - Circa 1969


Dr. Killie Campbell


Inevitably, the visitor to the Killie Campbell library would ask, or perhaps only wonder, what manner of person was Dr. Killie Campbell – the mind, the imagination, the personality, behind the gathering together of so many precious works and records of man and of the people, they found here. Their story would be lost but for the Dr. Campbell's of the world.

“Dr. Killie” as she was affectionately and respectfully known, resemble to my mind, Queen Victoria of Britain, the same small erect stature, the aquiline profile, high serene forehead and smooth brown hair centrally parted and tied back in a knot.

Queenliness was in her bearing and with it a quality I can only describe as eternally girlish, a forthrightness of greeting, a kind steady gaze, a warm smile and overall a dignity of character and bearing, tinged always with humility, which verged on self doubt regarding her own achievements.

Selflessness in all her dealings was the keynote of her character. In giving to others and in her keen interest in the work of others, Dr. Killie Campbell forgot herself. Indeed she had a trick of diverting conversation away from herself, (a subject which interested her not at all)... “Let us talk about what you are doing, old darling...” (I quote). The many who were gathered into the warm, enchanted circle of her “court” will recall a sharp sense of loss, the two words “old darling,” not effusively spoken, but as a sincere expression of her interest, regard and warmth of heart.

‘Court’ was held daily in the small upstairs room (her mother, former Lady Campbell’s private drawing room) at the morning and afternoon tea breaks. Tea, very promptly at eleven and four, on a silver tea service, was brought in by a tall, aristocratic Zulu clad in dignified long suit of white drill. His name, in my time was Mkonto (Spear). Traditional with tea were the wafer thin brown bread and butter, and the famous Ouma Smuts recipe jam tartlets.

Other than Library teas were held in the downstairs study on the right of the hall, where I shall always recall a profusion of pink roses reflected in the shining copper, these colours too in the furnishings of the gracious room.

The house always glowed with magnificent flowers, most of them taken from the garden, which, Dr. Killie loved and tended. Indeed she seemed to need the garden even as a plant needs moisture, and would wander there to replenish herself, when weary.

In her dealings with people Dr. Killie would quickly divine within a person the presence of an idea, however nebulous, diffident, doubting. She used her golden touch in uncovering the idea, and in presenting it back to its unsure owner, as a glowing and attainable goal.

This quality was, in her, more than just a facet of her nature. It was the direct result of her own experience, of her first faltering steps into the realms of our country’s history, where she roamed in her imagination, and served so well. She would sometimes tell of how her first books, collector’s pieces, were hidden from prying and unsympathetic eyes, under the bed, in the bedroom, which was ostensibly that of a young lady of fashion. Her mother, (and her Indian maid Mary, devoted for a lifetime), were puzzled and baffled not so much by the curious housing of the books, but by the fact that the girl in the crème of the country’s society should indulge such a peculiar hobby. The young Killie, enchanted by her books, thus learned to live side by side with self doubt, and in two worlds, presenting a social facade and concealing her real treasure. Contrary to popular belief she was never financially free to purchase books regardless of cost. Her first books were purchased from savings on her dress allowance. (Dress, for Killie, must be tidy, clean, functional and covering – and then forgotten).

When the family made their annual visits to Britain, Killie would delight in dodging the social round whenever possible, to prowl in secondhand bookshops or follow up some clue to the existence of old letters and records – buy and bring back to the country where they belonged. She knew her books, loved and read them studiously. She remembered what she read and could offer a gold mine of reference writers, readers, research workers, indeed to anyone who came to her for help.

 

 

 

Killie Campbell at  Muckleneuk
 

As direct result of her help, many books were nourished, and with her boundless enthusiasm to light the path, many books were born. These, today, have place in her library and pay mute homage and tribute to her by their very existence. She helped build dreams and we who dreamed, gave her our devotion.

As a young woman Dr. Killie learned to divide her life into two worlds, because her two worlds, by their innermost nature, could not mix. She was deeply kind and she could not endure, for others, the hurt inflicted on one another, by lack of understanding, the lack which she had lived with in girlhood. So she divided her world. The motley crew who came to her among her books were upstairs. The social and fashionable were downstairs. Many there were, tried and proved characters, who belonged in both worlds.

To the upstairs world wandered an endless stream of seekers, the erudite, the people with dreams, the talented; people from all walks of life, all races, all religions, all “colours”, and in the twenty or more years of my pilgrimage I knew of not one who met with rebuff. She gave of herself without stint, but always diffidently. For this reason, for her lack of boast, some of the erudite and the articulate doubted her knowledge of her books and perhaps envied her possession of them, thinking of her as a woman with a whim and a wealth to indulge it. Those who knew her, knew better. For her dream she had suffered and her work was for the love of her country.

Because the best of my work is so closely associated with her, perhaps an account of our meeting and our work together would not be out of place in this my personal picture of Killie.

I first met her in the 1940’s, on her invitation. A mutual acquaintance had seen my first attempts in tribal dress and had suggested Miss Killie Campbell of Durban would be interested. How mild a phrase for a suggestion which brought new zest to two lives, more especially mine. Unknown to myself I was a typical “upstairs person,” with nothing much more than a burning idea (and a battered van which served as both vehicle and living quarters).

On my way through Durban on a ‘shoe-string safari’ to find tribal dress in Zululand, I called on Miss Campbell, full of zeal and the peculiar pride of the dreamer who has no money! This state of heart, Killie, bless her, understood from the start. She never ever patronised. Conversation on that first meeting was as it always was with her, on and on for hours – and then night came. She kindly invited me to stay, but rather than presume and because of my stuffy pride, I requested gently, to be allowed to sleep in my caravan, parked in her front driveway, under the mighty tree. When she agreed I knew that she understood and from that moment mutual trust was born. We worked together as friends sharing a common interest. Never as artist and wealthy patron, a situation she would have deplored. She purchased from me a regular number of studies each month, selected by her from my safari collections, and in this way I was assured of travelling expenses on the journeys, which we planned with so much shared delight. Faith was established wordlessly between us and was the basis of a deeply rewarding association.

I was eventually winkled out of my caravan by dear Dr. Killie, when to sleep there and not in the house would have been a breach of friendship, rather than a matter of pride!
 

Dr. Killie had a sense of fun and humour in plenty. One of my dearest memories is of my calling there straight from a Zululand safari, when my old van had played up and rendered me grubby with grease and dust, on face as well as khaki ‘uniform’ (bush shirt and slacks). I arrived exactly at afternoon tea time, which was being observed in the downstairs world, for two impeccably clad visitors. In a flash of humour, which she knew I shared, Dr. Killie ushered me in with a flourish as I was! Her two worlds met in head-on collision. The guests were stunned! Killie’s humour carried the day and that afternoon was one of my happiest memories of her.

 

Dr. Killie ventured far and loved the bush and the tribal peoples. When I commenced my study of tribal dress she already had many interesting photographs, taken by herself, of tribal type and dress. Our work commenced separately but from the moment of meeting became a shared interest.

Always favourites of Killie were my drawings of mothers and babies. A quality in her which few people ever discovered was her love of babies. When I had one of my own, her knowledge of infant care and her advice were a constant source of surprise and pleasure to me, given as they were in a manner of shy maidenliness, but nevertheless with authority. She enjoyed what she referred to as my “caravan baby,” and watched his growing up with interest, revealing within the person with keen intellect, her true womanliness.

Her warmth of nature too was reflected in her love of dogs and she never failed to greet the three that travelled with us. Her dogs were always waifs from the SPCA, of vague ancestry. She could have owned any of the status dog breeds, but true to her nature she gave refuge to the lost and homeless –always two of them, so they need not be lonely. Towards the end of her life her last dog was ageing too and his faltering footsteps kept devoted pace with hers. Only a dog lover could know what it cost her in courage, to spare him his ultimate suffering. She, as a human, who must live out life’s span, was tried to the limit.

When she died, leaving so much treasure as gift to her country which she loved so dearly, it would no doubt astound us all to know how many hearts grieved in how many lands, near and far.

She boasted not of her many friends, and each of us felt a personal sense of ownership, because each occupied a special niche in the mansions of her heart – where she herself counted for so little. She lived, served, loved and was loyal, in both her worlds.

 

 

 

Dr. Killie Campbell


I shall always remember her as I so often found her, at her desk, sitting sharply upright on a backless bench, profile bent to her work, features outlined by the light from the window beyond, expression earnest, no crease disturbing the serene forehead. Then the turn of the head, crinkling at the corner of the eyes, in a welcome always gay and buoyant. Spectacles would be pushed back on the forehead (and frequently forgotten there, entailing a vain search until she remembered or someone gravely explained their immediate presence). And as she hurried to greet me, my heart would lift.

 

 

 

 

Barbara Tyrrell

 

To read about the life Barbara Tyrrell and her caravans - click Nixie.      

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Galerie Ezakwantu

Southern African Tribal Art - African Art 

 

Central and Southern African Tribal Art

 

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