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The Ba Roka of Southern Africa

 

(Baroka - Baroca- Ba Roca)

 

Northern Sotho

 

 

 

 

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The Ba Roka

 

 

(Baroka - Baroca - Ba Roca)

 

 

 

 

Who are the Ba Roka?


The
Ba Roka are one of the many Sotho-Tswana clans who reside in Botswana, Lesotho and South Africa. They are also referred to as Ba Roca, Baroca, Baroka and North Sotho. Baroka live in the flat lands around the mountains near Tzaneen in Limpopo province. Their immediate neighbors are the Lobedu (North Sotho) and Tsonga-Shangaan (Nguni).

 

 

         

 

Limpopo Provincial Crest

 

Other North Sotho tribes living in the highveld are the Pedi, Tau, Kone, Ntwane, Mphahlele, Th wene, Mathabathe, Kone (Matlala), Dikgale, Batlokwa, Gananwa (Mmalebogo), Mmamabolo and Molete. Like all north and south Sotho clans, a portion of Roka's recorded history is centered around the Mfecane, Lifaqane or Difaqane, which occurred during the early 19th century.

 

Click the link below to learn more about the .....

 

Mfecane - Lifaqane - Difaqane

 

During the Mfecane, the Ba Roka and other North Sotho-Tswana clans were overwhelmed by the Matabele, an Nguni tribe closely related to the Zulu. Many Ba Roka were enslaved or absorbed by Matabele, while others fled. Those who remained, retained traditional loose political formation, but were cut off from their South Sotho relatives by distance. This resulted in Sotho related material culture of the Roka developing somewhat differently to that of the South Sotho.

 

Unfortunately we  have failed to locate further detailed information of Ba Roka history.  However, regional tribal authorities of the area, E. Jensen Krige and J. D. Krige, did mention them twice in their book "The Realm of a Rain-Queen",  first published in 1943. On page 14 they identify the Roka as; residents of the flats, looked upon as as somewhat inferior though of diverse Sotho ancestry. (by their Sotho Lobedu neighbors). Again on page 36 it is written; Sesamum used to be popular in the valleys and is to an old crop of the Roka.

 

The lack of information is somewhat explained on page 15 where it is written; They (North Sotho) have been entering from the first quarter of the eighteenth century until to-day, and are all segments of other tribes, themselves composed of very diverse elements. To-day the task of unravelling the confusion and complexity is beyond the wit of man. It is a complexity which everywhere antedates the nineteenth-century disturbances, probably even the movements and unrest recorded by the Portuguese during the sixteenth century.

 

 

 

 

 

 

 

 

Ba Roka Material Culture

 

 

 

Ba Roka tribal dress and beadwork developed from Sotho Tswana origin.

 

The Ba Roka, Venda and Lobedu all know the supernatural Muwhira.  The costumes which follow represent him. He is both deaf and dumb and is known as the recruiter for the Sungwi initiation school for girls.

 

   

 

                                     ex/ J Witt Collection                                                Field Image - Circa 1970

 

His character is made of reeds and body parts of hawks, owls and hammerhead birds. The example  above left was collected in the Sekororo Area by J. Witt during the early 1960's. Later it became the property of the Potchefstroom University Collection. Few examples are known. This is because traditionally Muwhira was burned at the end of Sungwi. The image on the right was taken in the 1980's amongst the Ba Roka.

 

 

The photographs to below were taken by Krige in 1938 with the nearby Lobedu. He recorded that the most spectacular costumes were worn by the mohwera from Rabothada, whose performance at the capital traditionally closed the initiation. A number of these found their way to the South African Museum.

 

 

Annals of the South African Museum - Vol 94 - Part 3 - Page 097

 

 

The Realm of a Rain Queen - Plate IX - E. J. Krige - 1938

 

 

The Realm of a Rain Queen - Plate X - E. J. Krige - 1938

 

 

Ba Roka Girls Initiation Costume

 

 

An example of a Ba Roka girls initiation apron appears on the African cover page of "Beadwork - A World Guide" by Caroline Crabtree and Pam Stallebrass. (pg 29)  Pam Stallebrass located the item in storage at the South African Museum in Cape Town. In all likelihood, this was collected by E. Jensen Krige and J. D. Krige during the first portion of the 20th century.
 

 

Ba Roka initiation aprons were known as thito in Sesotho. 

 

Hundreds of beads were individually stitched onto fabric, creating colorful geometric patters and design. A cord was attached underneath the upper fold over flap, used to attach the apron to the girls body.

 

Click thumbnails below for larger resolution images.

 

A number of types of fabric were used to make thito aprons. Predominately red Salempore originated in India, whereas predominately blue Three Cats from England. The cloth was brought into the Lowveld by traders on well established routes from Delagoa Bay. Salempore gained early acceptance among Ba Roka, as it did among the Lobedu, Shangaan and Venda. The Lobedu and neighbouring tribes (Ba Roka) called it nwalukambu. Salempore was also used by the Ovambo in Angola and Namibia.

 

 

Each mother would make a thito apron for the initiation of her eldest daughter. Once the daughter, aged 14 to16, had completed initiation, the apron was returned to the mother. The apron keep for the woman's next daughters initiation and so on. Each time the red Salempore apron was thoroughly washed, which explains why most known examples have faded to pink .

 

   

 

 Belts with pompoms were worn around the waist near top of the apron.

 

 

Initiation practices dictated that a number of necklaces were worn. The centre necklace was built coiled around a centre cord in spiral fashion, causing it to roll around the lower section.

 

 

Beaded solid colour sections were used to highlight the effect.

 

    

 

Larger beads were inter-dispersed with smaller examples in rotating colors. This beading technique is found in both North and South Sotho beadwork.

 

 

During ceremonial occasions, adult women adorned themselves with beaded belts which sometimes included a dense row of pompom tassels.

 

 

An example without pompoms.

 

 

Woman's necklaces differed in construction from that of younger girls.

 

 

 

Ba Roka Boys Initiation Costume

 

Ba Roka boys also went through initiation ceremonies.

 

    

 

Circa 1950 - Boys Initiations

 

Similar necklaces to the example below were worn by uninitiated girls of the nearby Lobedu (Northern Sotho) peoples, as well as the Pedi. However, we were told that this example was worn by Ba Roka boys at initiation. It lacks the large section of mustard coloured beads which the Lobedu included on those worn by women.

 

 

These old family photographs show that beaded aprons also played a  part in boys initiations, as they did with the girls.

 

 

Circa 1960 - Boys Initiations

 

These young initiates are draped in sweets.

 

     

 

The Ba Roka used telephone wire over grass fibre to create basket ware. Telephone wire allowed for bright colours, much like those chosen for their beaded aprons.

 

 

This beer pot was collected amongst the Ba Roka during 2007.

 

 

Religion

 

Like other Bantu peoples, the Ba Roka practiced a traditional Shamanist type religion, based on devotion to ancestors. Ancestors were intermediaries to the spirits. A person was said to exist for as long as his shadow was still “felt” on earth by living relatives.  Each community had its traditional herbalist healers called Ngaka. They functioned as shamans, spiritual counselors and protectors against evil spirits and magic.

 

 

These two aprons were owned by a Ba Roka diviner or Ngaka.

 

 

This apron is proportionally related to North Sotho girls aprons, which are to be viewed within our North Sotho page. Unique to other aprons are it's 60 + inverted multicolored triangles.

 

Contemporary Sotho-Tswana society adapted to rapid urbanization. Sadly at the time of writing, beaded costume has all but vanished. In South African urban, cosmopolitan, multi-racial and multi-cultural areas, western cultural norms are predominant.

 

 

Circa 1960

 

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